Jimmy Somerville • Small Town Boy 2014

Sometimes, I hear certain things and take a second to absorb it. This is most certainly the case when I saw this was the 30th anniversary "Small Town Boy", the brilliant song by the Bronski Beat off their seminal album, 'Age of Consent'. Only, in the original release, it was known as "Smalltown Boy". It reminded me I have been a fan of lead singer Jimmy Somerville, whose career I have followed from Bronski Beat to The Communards to his solo work, always making me thrilled to buy the album, and eager to buy the next. His latest is no exception to that rule.

To mark the 30th anniversary of "Small Town Boy", Jimmy has recorded a new version, proving the song to be just as amazing in 2014 as it was in 1984. In the anniversary version, it is just Jimmy and a piano, and it adds a stunning new texture to the song. The song was written by the band, meaning Jimmy, Steve Bronski and Larry Steinbachek, taking a look at the life of young gays in 1980s Britain. Whether they realized it or not, the song touch gays across the globe, all who felt the sting of bullying, rejection, and persecution at some point in their lives. This is Jimmy Somerville with "Small Town Boy 2014".

Not only is Jimmy looking great, he still sounds remarkable. I still look and listen with awe as he effortlessly hits notes many couldn't dream of singing. He sounds every bit as bold as strong 30 years later, and I would love to hear him perform this live. You can purchase "Small Town Boy 2014" from iTunes and Amazon. To learn more about Jimmy, visit his official website. You can also 'like' him on Facebook.

Aris • Twilight Revival

Just over a month ago, I got an email suggesting I check out the music of Aris from Jeff Dorta of Project Publicity. He also sent along a couple of MP3s, and before you could blink your eyes, I had another artists I wanted to check and and hear more from. And not just because it was impossible to ignore the fact Aris is a strikingly handsome man. I listened to those files sent to me, and they clicked with me. I loved those five songs so much, I went out and purchased the album 'Twilight Revival', where they were found.

When listening to Aris, I can't help but think he is the lovechild of Patti Smith and Chris Cornell, with a supercharged growl of a voice. But then again, I can hear the edge and grit of Pink in his performance, as well as the strength of Kelly Clarkson. The Brooklyn native writes songs that are energetic and evocative, using a base of Rock and Electronica as a base before launching off to make music that is smart and effortlessly cool. 'Twilight Revival', released last fall, is a 17-track collection, with 14 new tracks, and two additional acoustic versions, and one remix of the songs. The album kicks off with "Twilight", a song that has great energy, and would have me running to the dance floor back in the day, dancing with a clenched fist thrust in the air. This is Aris with the official music video for "Twilight".

If that didn't get your juices flowing, urgency of "Blessed Be" might just be what you need. The drive is is bold, and the lyrics thoughtful. "Let Me In" cranks the energy back up to 12 with a forceful pleading that had me ready to give it up and let Aris in. Just when I feared I had to listen to another cover of the Leonard Cohen song, Aris brings out his own original song "Hallelujah", a bluesy spiritual that grabbed me hard. This is the psychedelic official music video for "Hallelujah".

There is a beautiful opening for "Higher", just before the Pop/Rock heart comes beating through. there is nothing like love to make us believe our lives can be lifted to a higher place. Next up, we have "Pray for Change", which features Kalyn Hemphill, Nina Zeitlin and Jimmy Jenkins in support of the man behind the music, Aris. We find the spiritual center and the heart of a man looking answers in a crazy world. This is the music video for "Pray For Change".

I first heard a snippet of "Astral Symphony" on the official website, so I was interested in hearing the full version. I just have to say, I was not disappointed. Far from it, in fact. There is a depth to the song, and it allows Aris a chance to deliver a deliciously nuanced performance. As he continues his search for answers, Aris shares "Savior" with us. what begins as an acoustic introspective prayer builds to an insistent call for hope. You don't have to be "Deaf, Dumb and Blind" to hear the retro feel to the song, like it was written in the Brill Building. I am surprised by how well it suits his voice, and the innocence it offers. With a throbbing beat and his voice driven by loss, it is not innocence that is found in "Anchor". There is a welcome joy at the top of "Light to Dark". It is palpable in the track, as well as in the music video for "Light to Dark".

There is such warmth found in the love song "Fallen Blind", a ballad with some bombastic qualities that would make Jim Steinman proud, and enough catharsis to move me. "Deliver Me" begins with a simple sound of guitar chords, and a soft feel of Aris' voice. There is something hypnotic about this one. The last new cut, "Revival", starts out with a call and response, bridging Gospel and Pop, before allowing the Pop side to flourish a bit more. We are left with a feeling of new life, new growth, just what we wanted. Both "Blessed Be" and "Light to Dark" are given acoustic versions, while "Twilight" has the Dancehaus Remix to complete 'Twilight Revival'. There is such a grit in his voice, it is hard to listen and not growl back just a little. Aris shows us Rock, Pop, Gospel, Blues, and even a Folky side on the album, leading me to wonder if there is anything he can't do. He writes songs with stories that involved feelings straight from the heart, sometimes with a soft caress, and other times with a pumping fist. I just can't get enough. 'Twilight Revival' is available for purchase on iTunes and Amazon. To discover more about Aris, visit his official website. You can also 'follow' him on Twitter, and 'like' him on Facebook.

32 Years With Boy George & Culture Club

In the Fall of 1982, the world, and especially the United States, were abuzz about the a new band coming out of England. Culture Club was made up by bassist Mikey Craig, Roy Hay on guitar and keyboards, and drummer Jon Moss. But the person everyone was talking about was lead vocalist Boy George, who sported braids and heavy makeup, bringing the term "gender bender" to the mainstream. He came out of the club scene, where daring costumes and larger-than-life personalities made his stand out. He formed the band, and was a strong part of the New Romantic movement.

In 1982, Culture Club released their first album, 'Kissing to be Clever'. Aside from the talk of Boy George's appearance, people were also noticing that great music the band was making. The first single off the album was "Do You Really Want to Hurt Me?", which made it to #2 on the US Billboard Hot 100. The song was an engaging love song that showed off the best of George's voice, allowing him to show strength, softness, and to deliver his truth on in. There is a hypnotic quality to the song, and 32 years later, when I hear the opening, I can't hep but smile. This is Culture Club with the music video for "Do You Really Want to Hurt Me?"

With the great success of the first album, Culture Club quickly followed it up with the second, 'Colour By Numbers', in 1983. The first single off the album was one of my favorites, "Church of the Poison Mind", a soulful song that brings a bit of Gospel to the plate. The song did well, earning a #!0 on the Billboard Hot 100. But it was the second dingle that earned Culture Club their first #1 song on the Billboard charts. Also released in 1983, "Karma Chameleon" was upbeat and filled with charm, and the undeniable talent of Boy George. Set on the Mississippi River over a century prior, the three band members donned costumes of Riverboat gamblers, while Boy George was anachronistically featured as himself. This is the music video for Culture Club's "Karma Chameleon".

A few years later, the band was not getting along, and the sales were definitely slowing up, so Culture Club decided to call it a day. By George was not on the sidelines for very long, as he went on to a solo career. Most of his success was in the UK and Europe, for his solo material didn't seem to really gel with the American audience. But the one song that did was the 1992 release "The Crying Game", the theme song for the movie 'Ace Ventura: Pet Detective', starring Jim Carrey. It went to #15 on the Billboard Hot 100. The song had a real retro feel, which should not be surprising, considering it was written in 1964. It was also produced by the great Pet Shop Boys. This is Boy George with his hit cover of "The Crying Game".

The new millennium has been a mixed bag for George. It began with his great success with 'Taboo', a huge hit in London's West End. The American version didn't repeat this, as rewrites and other issues caused the production to close after just 100 performances. George also battled his demons, entering rehab on several occasions. He also had other legal issues stemming from drug addiction to false imprisonment of a rent boy. By 2010, Boy George had committed to living a sober life, and to put his time in prison behind him. "Amazing Grace" was his first post-prison single, a track off the album 'Ordinary Alien'. I loved the song, and this the music video is cool. This is Boy George with "Amazing Grace".

It has been a blast being a fan of Boy George over the past 32 years. It has been great to see the musical progression of this talented performer, from one decade to the next. To learn more about Boy George, visit his official website. You can also 'follow' him on Twitter, and 'like' him on Facebook. You can purchase 'At Worst: The Best of Boy George and Culture Club' from iTunes and Amazon. It includes three out of the four songs mentioned here (not "Amazing Grace"). You can also find his latest album, 'This is What I Do' on iTunes and Amazon.

Spencer Day • Daybreak

I am such a fan of Spencer Day, and for so many reasons. First and foremost, he has the most wonderful voice. There is a delicious fullness, a sexy richness to the deep end of his range, and a sweet lightness to the top end. And he is a handsome man, as you can tell from the picture above. His music is also a combines the best of what Pop and Jazz have to offer.I first fell in love with Spencer when I heard his album 'Vagabond', and have been hooked since. I have seen his twice playing live, and like whipped cream on a bowl of ice cream, he is also a very kind and sweet man. And a good man who has a new album out, the newly released 'Daybreak'.

Last Friday, May 16, 2014, Day released his latest, 'Daybreak'. The ten-song collection is a combination of original songs and amazing covers. As a matter of fact, the songs are split 5 each, with three for #1 hits, and two former #2 songs on the Billboard Hot 100 from the 1960s. There are also five originals songs written by Spencer, which flow seamlessly with the hits, a true tribute to the quality of the songs. 'Daybreak' begins with the original song "Missing Tonight", the song made available when you placed the pre-order. It is a an invitation from Spencer to join him on a trip, which I would accept anytime. That is followed by "Naturally", another original with a sweetness and innocence that drives me to snap my fingers with a smile in my heart.It's a little bit Country, a little bit Pop-licious. Speaking of snapping fingers, the first cover leads off with just that. Lee Hazelwood wrote the next song for Nancy Sinatra, who had a #1 hit with it in 1966. Yes, Spencer tackles "These Boots Are Made For Walkin'", and that made me a very happy boy. Day offers us great range, from a seductive whisper to a growling shout. That leads to "Don't Let Me In", the third original song, and one of my favorites. There is a soft sensuality to the song that just draws me in from the first bars through the to the last. This is Spencer Day singing "Don't Let Me In".

In 1967, The Association has the #2 song on the Billboard Hot 100, and #1 on the Cashbox Top 100 Singles Chart. "Never My Love" was written by brothers Donald and Richard Addrisi, and given a soft and dreamy feel by The Association. While that recording might have felt a big Adult Contemporary, Spencer adds more gravity, and I feel like he could sing with with Lulu. When your hands start to clap involuntarily with the opening of "Wait Till I Get You Alone", rest assured you are not alone. The original song has a wonderful and sexy energy, and i find it impossible not to wish he was plotting to get me alone. Next up, Day offers us another hit from 1967. Written by band members Felix Cavaliere and Eddie Brigati, The Young Rascals has a #1 hit on the Billboard Hot 100 for four weeks with "Groovin'". Spencer retains the Folk/Pop feel, but still gives us a Jazz edge with some cool vocals. The calendar pushed forward to 1969, when Creedence Clearwater Revival scored a #2 hit on the Billboard Hot 100 with "Bad Moon Rising". The song was written by frontman John Fogerty, Spencer pulls it from Psychedelic Rock to Acid Jazz, flirting with several genres. In the final cover song on the album, Spencer sings a song by the iconic writing team of John Lennon and Paul McCartney. Peter and Gordon recorded the song, and it went to #1 on both the Billboard and Cashbox Hot 100 Pop Song charts. I love the laid-back feeling of Spencer Day singing "World Without Love".

The album ends like it started, with a beautiful original from Spencer Day. "You Don't Know You're Lonely" has a wonderful energy, and once more I find myself unable to resist it. There is joy, love, and strength to be found, a combination that is nothing but win. I love the album, and think it might actually top Day's 2013 release, 'The Mystery of You'. I love both albums, but there is something intrinsically loving about 'Daybreak', I just find myself listening to it time and time again. I cannot get enough, and I am starting to feel like I am an addict, and this album is my crack. I can't really pick a favorite cut - if forced, I'd most likely pick the last song I heard, for they are all so damn good! You can purchase 'Daybreak' from Bandcamp. For some reason, it is available for pre-order on iTunes and Amazon, and not delivered until June 3rd. I'm glad I went to Bandcamp, and have it on my iPod now! To learn more about Spencer Day, visit his official website. You can also 'like' him on Facebook and 'follow' him on Twitter. Be sure to check out his touring schedule, and go if he is playing near you. I promise you, you will love it!

Dark Monday • Neil Patrick Harris

Top: Neil Patrick Harris with Christina Hendricks. Bottom: The cast of 'Company'.

To mark the occasion of the wedding this coming Saturday of my niece Amanda to her wrestling madmen, Mark, I thought I would bring up a little Stephen Sondheim, for it is impossible to go wrong with Sondheim. When I combine Stephen Sondheim with Neil Patrick Harris, it only gets better, right? And when I start off with a shirtless picture of NPH, it is beyond good, and into the levels of tasty that shouldn't be allowed, at least not in respectable blogs. Well, thankfully, this blog is not the kind of blog that might keep you from enjoying a little Stephen, a little Neil, and a little "Marry Me A Little" from the 2011 production of 'Company'.

Neil Patrick Harris was just the cherry on top of this star-studded production. Also in the cast were Stephen Colbert, Craig Bierko, Jon Cryer, Katie Finneran, Christina Hendricks, Aaron Lazar, Jill Paice, Martha Plimpton, Anika Noni Rose, Jennifer Laura Thompson, Jim Walton, Chryssie Whitehead, and the always amazing Patti LuPone. You can purchase the DVD of 'Company' starring Neil Patrick Harris from Amazon. You can also rent of buy 'Company' from Amazon Instant Video. The production can also be found on iTunes, where you can rent or buy it!

Cranking It Up with Jimmy Somerville

I was in the mood to kick off this weekend with some music by one of my all-time favorite artists, Jimmy Somerville. This post represents a period of 28 years, from my first album I purchased featuring his vocals, to the latest release, and a couple in between. They include his time in a couple of bands, as well as a strong solo career. To the best of my knowledge, I think I have a complete collection of his music, and it is all cherished.

I remember living in New York, going through the stations on the television when I came across a telecast from Europe, featuring a band playing a new take on "It Ain't Necessarily So", the song written by George and Ira Gershwin for 'Porgy and Bess', the 1935 Broadway hit. The sound was fresh and sexy, and the vocal took my breath away. The first chance I got, I went to the import store just off West 4th Street, and purchased my first album by the Bronski Beat. On so many levels, the album was a revelation. The band was made up by gay men, singing about being gay men. They were bold, smart and strong, everything I wished I could be. The lead singer, Jimmy Somerville, became a hero to me. And, best of all, the music was brilliant, and I still listen to it today. This is the Bronski Beat recording of "Junk", off the 1984 album 'Age of Consent'.

After Jimmy left Bronski Beat, he found his way into a partnership with classically trained musician Richard Coles. Together they formed the Communards in 1985, and I was quick to buy their debut album. The sound was very different from the Bronski Beat, with more polish, and a great range of influences. I was insane for the self-titled debut, and for first singles. From the Hi-N-R-G "Don't Leave Me This Way" to the Middle-Eastern flavor of "So Cold The Night" to the Jazz of "Lover Man", I devoured it like a King Henry VIII at the dinner table after a long battle. the fourth track on the album is a wonderful dance track with the energy and vitality needed at the clubs in the mid 1980s. I hope you enjoy the Communards song "Disenchanted", off the 1986 album 'Communards'.

After a second album in 1988, the Communards broke up and Jimmy decided to head out on his own. The following year, his first album hit the streets, and once again, it was even better than I expected. Bold and brash, Jimmy managed to put more Pop in the music, but not without a little snarl. He continued to make music that was gay, in your face, and brave, and made me very happy. "My Heart Is In Your Hands" shocked me at first, opening with Jimmy singing not in falsetto, but in his chest voice. It was a whole new side of Jimmy I was loving! This is Jimmy Somerville's recording of "My Heart Is In Your Hands" off the 1989 album 'Read My Lips'.

Fast forward 23 years, and it was time for the latest release from Somerville, the EP 'Solent'. The five-song collection was different, which could easily be said about each and every release from the Scottish singer. Well, there are five new songs, and three remixes, so there are eight tracks to be heard. But 'Solent' had a maturity, with less fight and more love. The EP opens with "Some Wonder", a track with a joy I find irresistible. To help kick off your weekend, I thought I would end with an alternative mix of the song, so here is Jimmy Somerville singing "Some Wonder (Felix Gauder Remix Full Length)".

I don't care if I first started being a fan about 30 years ago, the music still sounds bright and fresh to me. And I continue to marvel how great he has sounded over the years. If I whet your appetite for Jimmy's musics, I can tell you all this music is available for purchase, and should be a part of your music collection.You can find it at:

Bronski Beat's 'Age of Consent' on iTunes and Amazon
Communards' 'Communards' on iTunes and Amazon.
Jimmy Somerville's 'A Read My Lips' is not available on iTunes but the CD is available on Amazon
Jimmy Somerville's 'Solent' also on iTunes and Amazon.

I continue to be excited at news of any new music, and still hope I get to see him one more time singing live. I saw him with the Communards when they were there, and loved every stinking minute of it. Just remembering it brings a big smile to my lips. So I have my fingers crossed that might happen. For more about Jimmy Somerville, visit his official website or 'like' him on Facebook.

Johnny Dangerous • More Dirty Stuff

A couple of months ago, I had a post featuring the music of Hip-Hop artist Johnny Dangerous. Well, five months ago, and it is long past time I kicked off another weekend with more of his music. So this Friday morning is a great time to start your weekend with a little attitude, a lotta energy, and a sexy good time. And when it comes to Johnny and his music, that is what you are going to get. Before we get started, I will say both his music and videos are not safe for work, nor child-friendly. But they are meant for consenting adults, like some of the best things in life. I will begin with the music video that first introduced me to the handsome man, if my memory serves me right. A while ago, when Logo was still pretending to be a network supporting the LGBT community, they would play music videos, and it was there I say "Dirty Is The New Black", a single off the 2008 album, 'White Hot'. In the music video, Johnny takes it underground - literally - as it starts with him taking a stroll through an underground structure, shedding a little light on the dirty secrets some might hold about their sex lives. It certainly doesn't stay there, heading out to the stores, and to the clubs. The video was produced by Tori Fixx, and directed by Brian Lange. It also features the talents of God-des & She. Johnny Dangerous wants you to release your inner freak in "Dirty Is The New Black".

In our next clip, Johnny continues with that raunchy edge on "(Wan Dat) Azz Iz". The music video was directed by Jaybones of the Butterhouse, and was shot in the best clubs Chicago had to offer. When speaking about the song, Johnny definitely had a point of view he wanted to share. "I wanted to make a fun, party club record" he explained, "one that makes you want to get up and shake your ass, regardless of where you are!" And that he does, with a great song and music video for "(Wan Dat) Azz Iz".

With the next song, we once again see Johnny doesn't mind sharing some screen time with other talented artists. The music video for "Hotline" was shot on location in Chicago, and feature's UK's QBoy and New York City's Soce, the Elemental Wizard. Once again, it was directed by Jaybones for Butterhouse Studios. Johnny gives new meaning to hot phone conversations, as he lays out for us all just what he enjoys with a partner. QBoy isn't shy either, and you can see with the music video for "Hotline", featuring QBoy and Soce, the Elemental Wizard.

Finally, this is not a song off 'White Hot', but a single from 2011. "Work" is one again sexy with some raunchy special sauce, but I wouldn't expect anything different. I mean, when Johnny explains he likes him men "you, dumb, and thick", you know he means business. The song is a collaboration between Dangerous and Tori Fixx, with a stronger electronic, industrial feel than the others.

The first three songs can be found on the album 'White Hot', which can be purchased on iTunes, CD Baby, and Amazon. To purchase the single "Work", you can find it on iTunes, CD Baby, and Amazon. For more about Johnny Dangerous, visit his official website. You can also 'like' him on Facebook, and 'follow' him on Twitter.

Sarah Jane Morris • Fast Car

"Fast Car" was written by singer/songwriter Tracy Chapman, released by her in 1988. The single, off her debut album, went to #6 on the Billboard Hot 100, making her a talent to keep an eye on. Over twenty years later, Jazz artist Sarah Jane Morris recorded the song for her album 'Cello Songs', a 2011 release. I have been a fan of Sarah Jane Morris since the I saw her singing with Jimmy Somerville, on tour with The Communards, in the mid-1980s. I saw them at The Ritz, and they were captivating. From Hi-N-R-G Dance music to 1930s-inspired Jazz, it was a great show. Fast-forward 25 years, and Morris releases 'Cello Songs', a collection of songs that included songs she had previously recorded, but offered a new sound thanks to Enrico Melozzi, who arranged and conducted the orchestra. This is Sarah Jane singing "Fast Car".

You can purchase 'Cello Songs' from iTunes. To learn more about Sarah Jane Morris, visit her official website. You can also 'follow' her on Twitter, and 'like' her on Facebook. If you enjoy her music, you can check out her page on Pledge Music, where she is doing some crowdfunding for a new album. Preliminary titled 'Bloody Rain', Sarah Jane is looking to African music as a great influence on the new music.

Jay Brannan • Around the World in 80 Jays

I have long been a fan of singer/songwriter Jay Brannan, having found him and his music through YouTube, and never looked back. Brannan has amazing tone to he voice, and his fluid style showcases his unwavering pitch. Brannan has released four album and one EP, all treasures in their own way. There have been three studio album, and one live recording, all since September of 2010. The EP was released in 2007, and is the oldest recording I know of. Two of the studio albums have featured original material, while the other centered on Jay's ability to perform cover songs in original ways. All have featured Jay's trademark crisp tenor and unique phrasing, making his music one-of-a-kind, and always worth giving a listen.

The latest, 'Around the World in 80 Jays', is a second album of cover tunes, but not quite like most cover songs. Jay is not tackling his favorite oldie-but-goodie, he chose songs from around the world, some familiar, but most a bit off the beaten track. As a longtime fan of Brannan, this comes as no surprise, for Jay often chooses the road less traveled. A perfect example can be found on his live album, recorded in Atlanta. Jay recorded a song I have heard him sing live, Nicki Minaj's "Super Bass". Another song I've heard him perform is featured as the first track on 'Around the World in 80 Jays'. Jay has often spoke of his appreciation of Irish singer/songwriter Sinéad O'Connor, so when he takes on her politically charged song "Black Boys on Mopeds", Jay's sweet voice stands in counterpoint to the bleak world view of the lyrics, written during a time of political strife in England. The next track was the signature song from Tejano superstar Selena. The song was written by the singer, along with her brother, AB Quintanilla III, and Pete Astudillo. The sweet song was released in 1994, and it went straight to #1 in the Billboard Latin Tracks chart. Enjoy the sweetness of Jay Brannan singing "Bidi Bidi Bom".

Well, the next song is from German music producer and DJ Alex C. The title, "Du hast den schönsten Arsch der Welt", which loosely translates to "You have the sweetest ass in the world", a German song. And now I know exactly why Brannan picked this song, stripped down to an acoustic wonder. Next, Jay stops over in Paris. Well, sort of. He sings "Les poémes de Michelle", a song written in French, and performed by American singer Teri Moïse. This is a lovely song, with just the perfect touch of melancholia to suit Brannan. Jay also tackles a traditional Portuguese Fold song, and it should come as no surprise, he does so with aplomb. "Nesta Rua" gives us with a nice balance of sweet with a twist of ethereal haunting. He also sings a 2007 hit song by Italian singer/songwriter Elise, "Eppure Sentire". Here is Jay singing the song from a recent live show.

While those might seem like esoteric choices, Jay taking on the 2011 world-wide hit, "Somebody That I Used to Know". The song, written and recorded by Australian Gotye, is given a fresh new sound, courtesy of Jay Brannan. On the next stop on this world tour, Brannan goes to Boliva to sing the tradition Folk song, "Llorando". Translated from the original Spanish to English, the lament speaks to crying, something we all understand, and don't need to know the translation when listening. The final song comes from the United States, and singer/songwriter Patty Griffin. "Top of the World" was also covered by by the Dixie Chicks, but Jay puts his own stamp on it. This is Jay singing "Top of the World" at a recent performance.

This is just an exceptionally lovely album, with a softness you don't often find in Brannan's original material. While I still might prefer Jay interpreting his own work, he clearly knows how to pick songs that are a perfect fit with his voice, or a song he can make special in a way on Jay can. I highly recommend 'Around the World in 80 Jays', a great addition to your music collection. In fact, with Jay involved, you can hardly go wrong. You can purchase 'Around the World in 80 Jays' from iTunes, and Amazon. To learn more about Jay Brannan on his official website. You can also 'follow' him on Twitter, and 'like' him on Facebook. You can also visit Jay's online Store, which you can find here.

Candy Apple Blue • "Now That It's Over" Free Download

Candy Apple Blue have just released their latest single and music video, "Now That It's Over". The song, with words and music by Carly Emerick and Hoyt Emerick, is a SynthPop delight, light and bouncy with a bit of a bite. The sexy siblings star in the music video, although the masks can't hide the striking good looks. They are joined on screen by a duo of masked guests, who aren't quite as coquettish as the Emericks, but do show some ghoulish charm. Check out the Halloweenish fun with "Now That It's Over".

Bubbly and clean, the song reminds me of the early work of SynthPop legends Depeche Mode and Berlin, with a fresh twist. For more information about Candy Apple Blue, visit the official website. You can also 'follow' them on Twitter, and 'like' them on Facebook. To download "Now That It's Over" for free, visit the Soundcloud page, and click on "Download". You can also find the collection of their greatest songs, 'Existential Crisis (Greatest Hits Vol. 1)' on Bandcamp.

Boys & Girls Date Night • Cappuccino & Embracing Butterflies

For this evening's date night, I thought I would offer a short for the boys, and one for the girls, too! Our fir for the night, 'Cappuccino', was written and directed by Tamer Ruggli, and stars Anton Ciurlia, Benjamin Décosterd, and Maruela Biedermann. It is the story of a young man coming to terms with his feelings for a school friend, and to communicate with his over-the-top mother. It is such a charming film, It is French, but has subtitles. I hope you enjoy 'Cappuccino'.

The second feature for tonight is 'Embracing Butterflies', a 2009 short film written and directed by Karen Davidsen. It features Jaroslava Adamsova, Laura Baranik, Remi Clarke, Sarah Dunn, and Kveta Fialova. As Louise feeds the ducks and sees young couples in love in the park, she also runs into Anna, which allows Louise to take a stroll down memory lane, when Louise and Anna were in grade school together. Please enjoy 'Embracing Butterflies'.

Have a great night, and an even better weekend!

Dance, Dance Evolution

Clockwise: Village People, RuPaul, Sir Ari Gold, and Brian Kent.

For my inspiration today, I decided to take a look at the last four decades, and pick a song I really loved to show an evolution of dance through the years. I have chosen songs that are in my iTunes collection. The artists are also very talented members of the LGBT community. There was a wealth of music from which to choose, so it wasn't the easiest post to put together, but it was very fun. I got to listen to many songs not posted here, which made me very happy. I will start with the 1980s, the first decade I took on. There was a wealth of great music, with the great Sylvester, Bronski Beat, Culture Club, and many others I remember calling me to the dance floor. But I finally settled on a song that was released in 1980, from a group that bridged the 1970s and the 1980s. That group was the Village People, icons of the disco era. When Victor Willis, Felipe Rose, Alex Briley, Glenn Hughes, David Hodo, and Randy Jones got together to sing, little could hold them back. As the cop, the Indian, the soldier, the leatherman, the construction worker, and the cowboy thrilled audiences with classic hits like "Y.M.C.A.", "Macho Man" "In The Navy" and others. In 198O, they released the title cut from a new album, as well as a movie by the same name. "Can't Stop the Music" was written by Jacques Morali, the mastermind behind the group. But once the boys got hold of it, it was totally theirs! And, before I forget, happy birthday, Randy 'Cowboy' Jones! You can see when you watch the music video for the Village People singing "Can't Stop the Music".

Now I will move on to the next decade, the 1990s. This was another decade with a ton of music I got to listen to, before I made a the tough decision. But I finally decided to go with song from 1992 by the drag queen who continues to set the standard for all, RuPaul. "Supermodel (You Better Work)" was written by RuPaul, Jimmy Harry, and Larry Tee. The song went to #45 on the Billboard Hot 100, and #! on the US Billboard Hot Dance Club Songs chart. The music video also took MTV (when it used to play music) by storm, going into regular play on the rotation. While Nirvana and Pearl Jam were ruling the airwaves, one very special drag queen stepped up to be heard. Please enjoy RuPaul singing "Supermodel (You Better Work)".

The next decade once again plunged me into a deep pool of wonderful music, including some of my favorite artists. What tipped the scales for me was the absolute positive message of this song. So I pikced the 2007 release by the handsome Brian Kent, "Breathe Life". It is the title cut off a wonderful album, and a glorious music video, too. The driving beat disguises the love and good offered by the song for only a few seconds. I swear, just playing this song makes my day a little brighter. I hope you feel the same way when you watch the music video for "Breathe Life".

And while my final pick has only a pool of songs that is far short of a decade, I still had more than enough songs to listen to. I had several favorites, but decided to go with Sir Ari Golds latest single and video, featuring "Play My F**kn' Record". The song was first heard off his wonderful album, 'Between the Spirit & the Flesh', Gold worked with filmmaker Francis Legge, and the result was both 2D and 3D version, with include cameo appearances by Michael Musto, Michael Lucas, Peppermint, Meital as Gaga, Jamie Drake, Manilla Luzon, Dwayne Milan, Lovari, Eddy Barrena, MEG, Antonio Minopoli, Sherry Vine & Ari's Mom! Enjoy watching "Play My F**kn' Record"!

Have a great weekend!

Adam Shenk • Suitcases

I have often remarked I have come across music in many ways, from liking the cover photograph when buying, to hearing someone open for another artist I love. I first ordered Christopher Dallman's 'Race The Light' on a whim, not hearing a single track before it arriving in the mail. And I have often blamed Eric Himan for my excessive music bills, having exposed me to acts like Aiden James, Tom Goss, Levi Kreis, Andy Moore, Coyote Grace, both Jimmy Adams and Angel Adams, and so many others that now fill my iTunes. Just like listening to J.D. Doyle's monthly OutRadio podcasts, and his Queer Music Heritage posts have tipped me off to several other artists. Recently, I added a new resource when I was spending a bit of time with Tom Goss, and he handed me several CDs, telling me they were people I should be listen to. Well, when a fellow-musician makes a recommendation, I tend to take notice. One of those discs was 'Suitcases', featuring the music of Adam Shenk. Knowing nothing about him, I put in the CD and hit play, and now I understand why Tom gave me the CD. While I might be about three years behind the curve on this one, I must admit I instantly liked Shenk's music, and think many of you might like it as well.

'Suitcases' is an 11-track offering, but there are three additional "bonus tracks", so let's go with fourteen tracks. The songs were written by Shenk and Ayhan Sahin, and Sahin aslo produced and mixed the album. The music is R&B based, with a splash of Pop through in to sweeten the mix. There is an inherent sexiness to the music, the rhythms tending toward slow and grinding, with heartfelt ballads and some mid-tempo stuff that makes me dance the minute it comes on. I am am going to offer up my current three favorite songs on the CD, and let you figure out why you should be adding Adam Shenk to your music collection. I will begin with the title cut off the album, "Suitcases". It is the one song I found with a music video, and I can understand why. This mid-tempo number is bright and cheery, despite the subject matter. The singer struggles with following his heart by staying put with his lover, or needed to move on to take the next step on his journey. I love "Suitcases", and hope you do, too!

Now, while I think "Suitcases" give me an idea just how amazing Shenk's vocals can be, the first track on the album, "Seed", made me sit up and take notice. The song also features Jennifer Hirsh, and the two give amazing performances on the chorus. This allows Adam great freedom to sing from the heart, and soar when he needs to. The song is another one filled with hope and joy, with such a positive look to the future. Enjoy "Seed" featuring Jennifer Hirsh.

See, the final 30 seconds of that song are just amazing, aren't they? Finally, I really love "Saturday". The song features The Rhode Island-based Hip-Hop group Heightz who lay down a tight rap on the track. In the middle of the song, I hear the hat-tip to Buffalo Springfield's classic "For What It's Worth", repeating one of the great lines from Stephen Stills' lyric. I just really loved this song right away, and can listen to it all the time. I hope you enjoy "Saturday" featuring Heightz as much as I do.

The album is really filled with nuggets like these. I really enjoy, and can't thank Tom enough for sharing it. You can find 'Suitcases' on iTunes, Amazon, and CD Baby. To learn more about Adam Shenk, visit his official website. You can also 'follow' him on Twitter, and 'like' him on Facebook.

Cheyenne Jackson • I'm Blue, Skies

I don't know what it is about early summer, but there is always a bunch of music released, making it hard to keep up. This includes the music of some outstanding LGBT artists, and I am still catching up on them! Just this two weeks, I posted reviews of new albums by Levi Kreis and Eric Himan, as well as singles from Eli Lieb, Tom Goss, Kazaky, Adam Joseph, SIRPAUL & Armand Deluxe, and Darren Ockert! We can also add Cheyenne Jackson's name to the list, for he released his first Pop album at the end of June. 'I'm Blue, Skies' hit the shelves on June 25, 2013, and while I had several of the songs already - with early singles and music videos, I was still quite excited to for it. I've been a fan of Jackson since first seeing clips of him performing off-Broadway in "All Shook Up", where he wowed the audience time and time again. He also garnered some attention for playing 911 hero Mark Bingham, the gay passenger on the flight who helped lead the fight against the hijackers in the movie 'United 93'. In 2008 I finally had the opportunity to see him live in the New York City Center Encores! production of 'Damn Yankees', and he was remarkable. I also enjoyed his work with Michael Feinstein on the 'Power of Two' CD, and would have killed to see the two performing the music live. Cheyenne has a gorgeous voice, and in person is about as charismatic as any one person could be. Oh, yeah, he is also very handsome and has a good-looking husband, too. With all this in mind, I couldn't wait for the album to be released.

Needless to say, I couldn't wait to get to iTunes and purchase the 'I'm Blue, Skies', and I wasn't disappointed. It is true, I had already seen the music videos for "Before You", "Don't Wanna Know" and "Drive", that left plenty of new songs to get to know. The first track, however, is "Before You", the fluffy Pop confection released earlier in the year. The song marks the beginning of something very special - written by Cheyenne Jackson & Stevie Aiello, we finally see Jackson had a hand in co-writing every song on the album, making 'I'm Blue, Skies' a true labor of love. "Before You" has a sweet charm, a laid-back attitude personified by Cheyenne's easy vocals and the sound of the ukelele strumming. You can find my post featuring the music video here. Next up is the title cut, the second of four written with Stevie Aiello. "I'm Blue, Skies" has a big and bold feel, allowing Jackson's voice to soar high and wide in the chorus. As the music video was released this weekend, why don't you check it out for yourself.

Toward the end, I am still getting goosebumps when I listen. "Any Day Now" starts off with a quiet and simple feel, with Cheyenne's voice being laid in the bed of an acoustic guitar. Written by Jackson, Australian Sia Furler and Chris Braide, there is a wonderful introspective feel, giving me a bit of Joni Mitchell for a new age. The song has such great range, showing off the richness of Cheyenne's voice, from the top down. There is a real honesty in the song, and it reaches out and touches me. Next, we have another song by Jackson, Furler, and Chris Braide, with Stevie Aiello also adding in wisdom to "She's Pretty, She Lies". There is a wonderful feel to this one, but why not let the intriguing music video let you discover it for yourself.

This song puts me in mind of the wonderful indie band KEane, and their ability to have sweetly layered music that never becomes dense. Then comes the first song I remember hearing off this album, "Drive". The song, written by Jackson & Aiello, nicely balances between a quiet detachment and power. It was the first video I saw, with the sleek animated visuals. You can see my post featuring the music video here. "Mr. Lonely Boy" is up next, a big aching ballad written by Jackson with the New York-based production team, The ELEV3N. The song has a a strong emotional base, allowing Jackson freedom in his vocals. That is followed by the delicious "Don't Wanna Know", with words & music by Jackson & Aiello. The song has a great sound, and the video a flirty cheekiness I cannot resist. You can find my post featuring the music video for "Don't Wanna Know" here. "Back Pocket" begins with a soulful Cheyenne and a piano, and there is a quick switch to a some Pop sweetness. The song, written by Jackson, Igloo, and Tyler Lyles, slips and slides a bit, adopting different styles over the course of three-and-a-half minutes, floating from Pop to Reggae to Diva to Emo with ease. That is followed by "Not Ready To Let You Go", a song written by Jackson & Jay Levine, sounding like a young Lennon-McCartney song, with a timeless elegance with love at the heart. Next, Cheyenne offers a song so introspective and real, the isolation is almost palpable. See for yourself, with the music video for "Don't Look at Me", with music & lyrics by Jackson, Sia Furler and Chris Braide.

The song is so haunting, the video captures it well. Cheyenne's voice is so expansive, he is able to go huge at times, feeling like he is pushing you away while he lets you in to his heart and mind. I love this song. The next song was written by Jackson and Jay Levine, along with the singer/songwriter featured in the single. "You Get Me" has Charlotte Sometimes joining Cheyenne, adding a new dimension to the sound. There is a wonderful retro feel at times, as the song gives Bacharach/David realness. The final cut on the album is a remix of the first single. "Drive (Conaire Remix)" takes the song written by Jackson and Aiello and adds some additional juiciness by Kim Ålander to make it ready for any dance floor. You can find a video featuring the Remix here.

The album is a gooey Pop candy, perfect for the summer. This has already been playing when I'm outside doing some work on the yard, and great to play as you drive. The diversity allows us all to experience the amazing depth and breadth of Cheyenne's voice, stepping off the Broadway stage to make some excellent Pop records. From fluffy Pop sweetness to introspective singer/songwriter fare, 'I'm Blue, Skies' allows Jackson to show he not only can do Pop, he SHOULD be making music like this for years to come. I love the way he sounds, and I feel what he has to say. His voice is a welcome one, and I can't wait to hear what he will has to say for a long time to come. This will be an album that will be on my playlists this summer, making me very happy. You can purchase 'I'm Blue, Skies' on iTunes and Amazon. To learn more about Cheyenne Jackson, to find out what he is up to at the moment, visit his official website. You can also 'like' him on Facebook, and 'follow' him on Twitter.

Chris Salvatore • I Want Your Sex

Whenever a handsome young man serenades me with "I Want Your Sex", I have to admit he has my attention. And when that young man is Chris Salvatore, I am definitely listening. So when I saw on Twitter that Chris had released a cover of George Michael's "I Want Your Sex", released almost exactly 26 years ago. It was the first single off the 'Faith' album, and the video included his then-girlfriend, Kathy Jeung. It would be 11 years before George would come out of the closet, following the arrest in the Beverly Hills park restroom.

There is no issue with Salvatore, who has been out and proud for his entire career. And I am a big fan, and not just of his pretty face. "I Want Your Sex" originally was part of the 2010 collection, 'The Sound of This Beat'. That album was a sweet combination of Electronica and Pop with some strong Rock influences. His take on the George Michael classic is an Electronica gem, sexy and modern, not bothering with the faux coyness of the original. To hear it, just hit play to enjoy Salvatore's take on "I Want Your Sex".

For more about Chris Salvatore, you can 'follow' him on Twitter, and 'like' him on Facebook. You can purchase "I Want Your Sex" from iTunes and Amazon. If you'd like to check out 'The Sound of This Beat' album, you can find it on iTunes and Amazon.

Rod Stewart • Early Hits

With my recent posting featuring Long John Baldry, I was reminded of Rod Stewart. According to Stewart himself, Long John discovered the singer while he was singing , drunkenly, on a train. Like many stories, it might not have been quite that simple. Stewart became interested in a career in music in 1961. He fell in love with the music of Bob Dylan, Ewan MacColl, and Woody Guthrie. Soon, he was hanging out in London, learning to play the harmonica, and playing on the streets for tips. He did the same in Paris. In 1962, he auditioned to sing vocals for the Ray Davies Quartet, but did not get the job. Later, the name was changed to The Kinks. In 1963 he joined The Dimensions, playing the harmonica and sometimes sing lead. Later, The Dimensions were hired by singer Jimmy Powell, and were renamed Jimmy Powell and the Five Dimensions. But this also demoted Rod to harmonica only. But they were booked into Studio 51 in London, where Stewart got to see and learn from the Rolling Stones playing live. Soon Stewart left his band. In January of 1965, a drunken Stewart went to see Cyril Davies and the All Stars, and afterward was playing his harmonica on the platform, when Long John Baldry, then the lead vocalist for the All Stars, heard him play, and invited him to sit in with the band. Not long afterwards, Cyril Davies passed away, and Baldry asked Stewart to join the newly christened band, The Hoochie Coochie Men. Stewart played the harmonica, and was given time to sing, too. He was also part of Steampacket, the band also featuring Baldry, Julie Driscol, and Brian Auger. Soon, Stewart was moving out on his own, working with great guitarist Jeff Beck, and then joined the rock group Faces, featuring Ian McLagan, Ronnie Lane), and Kenney Jones, as well as guitarist Ronnie Wood. Just as Faces were coming together, Rod was also kick starting his solo career.

Rod Stewart photographed by Chris Walter.

In 1971, Stewart released his second solo album, 'Every Picture Tells A Story', a combination of Rock, Soul, Blues and Folk that seemed to speak to listeners. The album went Platinum in sales in the US as well as topping the Billboard album chart, with the help of a big hit found on the album. "Maggie May" went to #1 on the Billboard Hot 100, and could be heard playing all over radio. Listen and watch as Rod sings about young love and sex with "Maggie May".

In 1972, Stewart released 'Never A Dull Moment', another great collection of music. Stewart himself had a hand in writing four of the nine songs included on the album. The first single off the album, "You Wear It Well", topped the UK charts, and went to #13 on the US Billboard Hot 100. The album was certified Gold in sales, keeping Stewart as an artist who could deliver music making the studio very happy. Here is Rod singing "You Wear It Well".

Stewart's next few album had some success, but it was 'A Night On The Town', Rod's 1976 album that once again had people buying. The album has be certified Double Platinum, on the strength of a great line-up of songs. But the song that caught the attention of the world was "Tonight's The Night (Gonna Be Alright)". The song made it to #5 on the British singles chart, but made it to #1 on the Billboard Hot 100. The song is a sexually suggestive ballad, written by Stewart himself. It also included some whispering from his sexy then-girlfriend, Britt Ekland. HEre is the music video for "Tonight's The Night (Gonna Be Alright)".

In 1977, Stewart released another album that would have more success than anyone dared to dream. 'Foot Loose and Fancy Free' flew up the charts, certified Platinum in the UK, and Triple Platinum in the United States. It went to #1 in the UK and Canada, and #2 in the US on the album charts. At least part of the success but be due to the amazing appeal of "You're In My Heart (The Final Claim)", the song written by Stewart and the first single off the album. The song helped to create a new sound for Stewart, who was coming to be quite the troubadour. Here is Rod singing "You're In My Heart (The Final Claim)".

This was an impress run for the man who debuted as a solo artist just six years before. In fact, it was just over 10 years after being discovered by Long John Baldry on a train platform. For more about Rod Stewart, visit his official website. You can also 'like' Rod's fan page on Facebook. All four songs can be found on 'The Definitive Rod Stewart', available for purchase from iTunes and Amazon.

Tom Goss • Can't Hold Us (Macklemore Cover)

The last time I saw Tom Goss, he was full of great surprises. Not only did I get a sneak peak at his ye-to-be-released music video for "Make Believe", as well as his new fascination with an artist I hadn't know, Macklemore. Actually, Macklemore in collaboration with Ryan Lewis. He was crazy for the video of the song "One Love" featuring Mary Lambert. The song takes Hip-Hop in a very gay-friendly direction, as straight men talk openly and freely about the need to equality for all. He played me several videos, and it was great so see Tom's excitement about the music. So when I heard Tom was working on a new music video, I really wasn't that surprised to hear he was covering a song by Hip-Hop stars Macklemore and Ryan Lewis. The first time I watched Tom cover the song "Can't Hold Us", I did giggle to myself, and wondered if I needed to start referring to him as Tommie G. But it wasn't long before I was just smiling cause it was so darned good.

One of the things that did surprise me is that Tom was doing a cover, something he doesn't usually do. That tells me how much he loves this music. I am wondering if I will be hearing him play this tomorrow night, when I see him playing with Eric Himan in Washington, DC. To learn more about Tom, visit his official website. You can also follow him on Twitter, or like him on Facebook. You can also find his original music on iTunes and Amazon.

Music of the Oscars 2013

Left to right: Barbra Streisand; Adele Adkins; and Dame Shirley Bassey.

When I saw the picture above on Facebook (thanks, Casey Stratton!), I knew I wanted to do a post. But then there was the tricky issue of finding a YouTube link that wasn't either crappy or would stay up long enough. So I went to Daily Motion, and found what I needed. But first, I have a confession. I did not watch the Oscar telecast. I was watching hockey for a while, and then tuned in to watch 'The Walking Dead' on AMC. And then 'Talking Dead', with The Nerdist, aka Chris Hardwick. I did follow on Twitter, which told me who won, what worked, and what didn't. But I figured I could find the musical performances that interested me later. But as I documented earlier, it wasn't as easy as I thought. With all the build-up and the Twitter twaddlings, there were three performances that I craved to see, and that pictures said it all for me. The women whose music I love, and all three have been on this blog before. It is Adele, Dame Shirley Bassey, and Barbra Streisand. In those three ladies, there is such a wealth of talent, it is scarey. I shall begin with the newest of the three, the exquisite Adele, who came on to sing the theme song of the latest Bond movie, 'Skyfall'. It is a wonderful song, and she sings it beautifully. After listening to the video, I was slightly disappointed, but not really by Adele, but but the sound mixer for the show. Adele was on the the entire song, but the chorus was mostly lost, overpowered by the band. But still, I will take a badly mixed Adele over so many other artists, so here is Adele singing "Skyfall".

And the second singer from the United Kingdom to make me happy would be the always brilliant Dame Shirley Bassey. I am old enough to remember the original recording of her Bond themes on the radio, and knowing they were something special. And certainly aware that she was special as well. What I didn't realize until this week was that Dame Shirley was the only person in the Bond series to sing theme songs to three different movies. There is no doubt I remember the themes to 1971's Bond film 'Diamonds Are Forever, as well as the 1979 effort, 'Moonraker'. And while I was a bit young to remember the original release of the 1964 theme, I certainly heard it for years to come, as it was something amazing. And forty-nine years after the original release, Dame Shirley returned to sings the theme to 'Goldfinger', and made it special once again, at the age of seventy-six. Enjoy listening to, and watching, as Dame Shirley Bassey sings "Goldfinger".

And last but not least, there is the magnificent Barbra Streisand, a singer I have adored for as long as I can remember. Indeed, I remember being a teenager and buying her albums, including the early ones with some spectacular music from the Great American Songbook. I wasn't sure what she was going to sing, but if I gave it any thought, it was a no-brainer that she would be offering a tribute to the late Marvin Hamlisch. Once the 'In Memoriam' video rolled, Streisand came out singing one of the many amazing songs written by Hamlisch, sung by Streisand as the theme of the movie 'The Way We Were', starring Streisand and the stunning Robert Redford. The song was released in 1973, making this the 40th anniversary. Like Dame Shirley, Barbra was looking and sounding great. Please enjoy the clip of Barbra Streisand singing "The Way We Were", just a few months shy of her seventy-first birthday.