Showing posts with label chicago. Show all posts
Showing posts with label chicago. Show all posts

Saturday, January 31, 2015

Chicago • Saturday in the Park/Does Anybody Really Know What Time It It?

Chicago 1972 photo chicago002_zps3c6b74f9_1.jpg

When I hear the sound of the horns, keyboard, and guitars at the start of "Saturday in the Park", it brings me back to my teen years when the band Chicago was exploding on the charts. The group effortlessly combined the sound of Rock and Pop with a soulful urban swell of horns. The song was written by Robert Lamm, who also provided the lead vocals and piano for the track. The song went to #3 on the Billboard Hot 100 in 1972. It is off the album, 'Chicago V'. I heared it on the radio all the time, as well as at parties. In the video that follows, it is paired up with another song written by Lamm, "Does Anybody Really Know What Time It Is?", which had been a hit for the band two years before. Back then, they were known as Chicago Transit Authority, and this was featured on the album of the same name. Both songs are great, and both bring me back to a simpler time in my life. This is Chicago with "Saturday in the Park" and "Does Anybody Really Know What Time It Is?".



While they are both on different albums, you can find both songs on 'Chicago IX - Chicago's Greatest Hits'. You can purchase the songs or the album on iTunes and Amazon. To learn more about Chicago, visit their official website. You can also 'like' them on Facebook, and 'follow' them on Twitter.

Friday, August 1, 2014

Ready For the Weekend!

Love and Kisses - Thank God It's Friday photo loveampkissesTGIFCOVER_zps5b0c1081.jpg Chicago - Saturday in the Park photo chicago-saturday-in-the-park_zps50e5b5c1.jpg
Bay City Rollers - Saturday Night photo BayCityRollersSaturdayNight_zps10c9b559.jpg Blondie - Sunday Girl photo Blondie_Sunday_Girl_zps1b2a171c.jpg
Clockwise: Album covers from Love & Kisses; Chicago; Blondie; and Bay City Rollers.

To kick off the first weekend of August, I thought I would reach back a few decades, and jam to a very special theme. So I went back not one, not two, and not even three decades. I went back four, to the 1970s, and looked to share some songs that captures the feeling of the weekend. I start with the year 1978, the year I graduated from Smyrna High School, and prepared for my freshman year of college. About the time I was preparing for graduation, a movie hits the streets that had a great influence on the songs of summer. This was perhaps the time when Disco was most popular, having put into overdrive with the release of 'Saturday Night Fever' the year before. 'Thank God It's Friday' gave Donna Summer the song that played at almost every dance I went to that year, "Last Dance". The soundtrack also included a the group Love & Kisses, put together by European producer Alec Costandinos. In fact, Costandinos also wrote their hit song "Thank God It's Friday", which also served as the title track from the film. This is Love & Kisses singing "Thank God It's Friday".



Now, there has been nothing I have enjoyed more than a wonderful weekend afternoon I could spend with friends or family, and that is the feeling the next song give me. Before Disco could take over the airwaves, bands scored pretty well with the public. As the 1970 began, the band Chicago was starting to build a great following, with the bold sound that combined the elements of Rock with the bold horns. They made it to the charts time and time again, and in 1972, they had their biggest hit to date when "Saturday in the Park" went to #3 on the Billboard Hot 100. It speaks to a wonderful afternoon, enjoying the summer weather, spent with people you care for. This song just makes me feel good. From 1972, this is Chicago singing "Saturday in the Park".



Great afternoons like that often led to fun times later that evening. And if you were listening to the Bay City Rollers in 1975, you know that the best night of the week was "Saturday Night". Five Scottish boys were just starting to take over the world with their music. Alan Longmuir, Derek Longmuir, Stuart Woody Wood, Eric Faulkner and Les McKeown were compared to the Beatles as their record sales soared all across the globe. Late in 1975, with the release of an anthemic song, The Bay City Rollers scored their first #1 hit on the Billboard Hot 100 in the US, adding the girls of another continent to their screaming fans. This is The Bay City Rollers with their huge hit, "Saturday Night".



As we started, so shall we end. Once again, I will return to 1978 for the final stop on the weekend tour. For a very long time, there was not a better part of the weekend than the time spent on Sunday morning and afternoon doing the Sunday Times crossword puzzle. But in the fall of that year, a Punk band from New York City released an album that had the public sitting up and listening. With the release of 'Parallel Lines', Debbie Harry, Chris Stein, Clem Burke, Jimmy Destri, Nigel Harrison, and Frank Infante began a ride that changed the face of music. To bring the weekend to a close, I offer you "Sunday Girl", off the great album, featuring the perfect vocals of Debbie Harry.



Have a great weekend!

Tuesday, May 1, 2012

GLEE Redux • Choke

Tonight we get to watch the eighteenth of twenty-two episodes this season, meaning that the senior year for some of our favorite McKinley High students is drawing to a close. We know that there are students auditioning for theater schools, and others going to Ivy league schools. And others just hoping to graduate high school. So who do we think might Choke, as the episode title suggests? One thing we know, that Glee happens.

my_fair_lady chicago10460 The Boy From Oz Alice Cooper
florence-and-the-machine Kelly clarkson Funny Girl Phantom of the Opera
Clockwise: My Fair Lady; Chicago; The Boy From Oz; Alice Cooper; Phantom of the Opera; Funny Girl; Kelly Clarkson; and Florence and the Machine.

The episode starts with Rachel walking down the hallway, discussing the celestial beings known as stars, what she wants to be. Soon she is doing mantra's in the mirror, telling herself she is a star. Next Finn is chatting with Puck, who plans to pass European Geography class by flirting with the teacher. Soon, Coach Beiste walks by, sporting a shiner. Santana makes a joke about Beiste and hubby Cooter, when Coach Roz overhears and is offended by jokes using domestic violence. She tells Sue about it, and they find a point of agreement. Sue tells Mr. Schue about the problem, and he doesn't believe his kids would make such jokes. Back in the auditorium, Kurt is practicing for his NYADA audition. He is singing The Music of the Night from the 1988 Broadway musical, Phantom of the Opera.



Puck makes his big move on the teacher, who rebuffs him. She tells him it is time to crack open a book, and he is angered, and sings School's Out by Alice Cooper, off his 1972 album of the same name.



After the song, Puck walks out of the chorus room. Coach Beiste, Coach Sue and Coach Roz are talking to the ladies of Glee about domestic violence, and Sue makes the assignment for the girls to sing songs of empowerment. In the locker room, Finn notices Puck is still missing, and he tells the boys that "No man is left behind," so they all must make sure Puck passes the class and graduates with them. Rachel and Kurt are in a panicked mess, as Rachel hears about his decision to change the song. They decide to stick with the old favorites. In the auditorium, the girls sing Cell Block Tango from the 1975 Broadway production of Chicago, as well as the 2002 film.



Sue and Roz are appalled, for the song celebrates violence, not how to empower women to move past it. But Coach Beiste leaves the auditorium, upset. They find out Cooter has punched her. No one thought he might have really hit her, so they are surprised. And shocked she took it. But they learn she was fearful no one else would love her. Sue tells her she is staying the night at Sue's house, no arguments. Puck is cleaning a pool, and tells the cougar he is leaving town, and then sees his father. Daddy Puck borrows money to pay rent, and Puck sees his father's life pass before his eyes. He goes to the boys to ask for help, so he doesn't end up like Daddy Puck, with no diploma. The guys will help him. As Kurt is about to sing Music Of The Night, he realizes it is the safe choice, and makes the on-the-spot decision to sing Not the Boy Next Door from the 2003 Broadway show, The Boy From Oz starring Hugh Jackman.



He is decked out in gold lamé pants, and gives a big, over-the-top performance. The judge loves it, and congratulates him for taking a big risk. Rachel is concerned, knowing she is going with a song she started singing as a two-year-old. Rachel is back in the mirror, with affirmations of stardom. Finn comes in with flowers, and says she is definitely ready for her audition. She announces she will sing Don't Rain on My Parade from the 1964 Broadway show Funny Girl, and the 1968 film of the same name.



A minute into the song she forgets the lyrics, and when she restarts she messes up even sooner. The audition judge tells her there is no more chances, and it is over for her. She choked, and is a crying mess. The boys are in the room, helping Puck cram for his test. He is tired and cranky, and somehow is asked about the rainfall in Spain, so the boys of course break out an electrified version of The Rain in Spain from the 1956 Broadway production of My Fair Lady, also the 1964 film.



Afterwards, they are back to studying. Coach Sue is upset, Coach Beiste did not stay with her - she moved in with her sister instead. She tells the kids, hoping to teach them a lesson. The kids are moved, and she tells them she has moved out. She tells the girls they inspired her. In the classroom, Puck took his test, and some of those questions were in The Rain In Spain. Others were not. But he thinks he did well, so the boys can "hug it out" in the hallway. The girls apologize to Coach Beiste, and sing for her. They choose Shake It Out by Florence and The Machine, off the 2011 album Ceremonials.



This is a lovely acoustic version of the song. While they are singing, we discover Beiste has moved home, giving Cooter another chance. At Rachel's locker, Kurt tries to cheer her up, but it doesn't work. Rachel is still crushed, for it was she who choked. She cries, and Kurt gives her a hug, and leaves her to be by herself. She closes her locker and starts to sing Cry by Kelly Clarkson, off the 2009 album All Over Yet.



While she is singing, Puck gets his test back, and discovers he didn't pass. As she finishes the song in tears, the screen fades to black.

Tuesday, March 22, 2011

GLEE Redux - The Substitute (Recast Tonight)

Photobucket Cee-Lo
Donald O'Connor Make Em Laugh Photobucket
Rihanna Umbrella Gene Kelly Singing In The Rain
Clockwise from Upper Left: Conjunction Junction, Cee-Lo, Catherine Zeta Jones & Rene Zellweger, Gene Kelly, Rihanna, and Donald O'Connor.

Tonight is a repeat telecast of GLEE, so I thought I would re-post my recap of the episode.

The show opens up with the discovery that Sue is the acting principal, as a nasty flu is spreading throughout the school. Seems an explosive sneeze, which we witness, takes out Principal Figgins, as well as Mr. Shue. Next we see Mr. Shue in a tissue-strewn bed, being waited on by a surprise nurse, Terry. Shue is less than impressed, even when he discovers Terry is seeing a therapist and is medicated. He is even less impressed when she asks him to flip over to take his temperature. He asks Terry to leave, only to have her leave him the one DVD that will make him feel better, Singing In The Rain.

Although Rachel thinks the time is right to take over the Glee Club, the other kids are less impressed by the coop. Kurt has the fine idea to ask the substitute teacher who is covering Shue's Spanish class, Ms. Holiday as played by Gweneth Paltrow, to take over the reigns of the club. After all, he loved when she was the substitute English teacher, and had the class sing Conjunction Junction.



Right away, we learn that Holiday is one of 'those' teachers, who is wanting to be best friends with the kids, askinig the kids what they want to sing. Puck suggests Cee-Lo, and Holiday takes it on herself to do just that. Gweneth sings Cee-Lo's Fuck You, only it is Forget You in prime time television. This video is in the intended state, so it might not be safe for work or kids.



Sue steps into the boys locker to tell the Beiste that Sue is officially disbanding the football team. The Beiste reminds Sue with no football, there is no cheerleaders. Sue needs to rethink her plan. Next we have will having a dream, as he performs Make 'Em Laugh from Singing In The Rain.



Mr. Shue is at home, still recovering. Terry offers to rub a bit of Vick's Vap-O-Rub on him, which he resists at first. I would guess it was because he was embarrassed to have recently waxed his shockingly smooth chest. This, of course, leads to more, as Mr. Shue seems unable to make a good decision about love and sex. Mercedes has her Norma Rae moment to get her well-deserved tater-tots. Seems Principal Sue has banned all food she considers junk, and Tater-Tots are on that list. Rachel & Ms. Holiday have it out by Rachel's locker, and Holiday tells Rachel to let loose, and choose the song she wants to do. Rachel has one in mind, a duet, and Holiday offers her own assistance. They do a song from Chicago, Nowadays.



Shue makes his way back to the school, only to be intercepted by 'Principal' Sue, and discovers she has fired him, cause she likes Ms. Holiday's hair better. I think she might not have fired him if he still had his chest hair. But I might be wrong. A night out with Kurt, Blaine and Mercedes is less than enthralling for her. She is lost between the talk of Prop 8, DADT, marriage equality, and Patti LuPone's autobiography. And her need for Tater-Tots. Mercedes is ultimately uninterested in the conversation of the two gay boys. Soon we are observers at a heart-to-heart between Shue and Holiday, when Holiday tells Shue she has failed, not able to be the teacher she once was. As they talk, they are interrupted by Terry, who accuses them of being bad. Shue admits he made a mistake making love to his crazy ex-wife, and asks her to leave, for good. That has never worked before, so we will see what happens...

Mercedes and Kurt are chatting about Tater-Tots, and love problems. Kurt is really happy about his mysterious relationship with Blaine. But he takes it on himself to mention that all Mercedes worries about food might just be her need for love in her life. Mercedes decides it is time to talk to the cute guy Kurt wanted to set her up with, and Kurt gets threatened by Karovsky, who still has a thing for the cute crooner.

After an odd conversation with Principal Sue, Shue is back as Glee leader, following the kids all saying sweet things about him. On his return, he tells them he would like to do Singing In The Rain at Regionals. The kids balk, as they wanted something more current. Shue decides to seek help, and asks Holiday to help him sell the old musical. She is more than happy to assist, and they break into the mash-up, starting with Rihanna's Umbrella.



While Gweneth and the kids are sloshing around on the rain-filled stage, Shue joins them to sing his part of the mash-up, Gene Kelly's Singing In The Rain.



End scene.

Wednesday, November 17, 2010

GLEE Redux - The Substitute

Photobucket Cee-Lo
Donald O'Connor Make Em Laugh Photobucket
Rihanna Umbrella Gene Kelly Singing In The Rain
Clockwise from Upper Left: Conjunction Junction, Cee-Lo, Catherine Zeta Jones & Rene Zellweger, Gene Kelly, Rihanna, and Donal O'Connor.

Once again I am recapping the latest episode of Glee, only using the videos of the original songs rather than the covers. Hope you enjoy.

The show opens up with the discovery that Sue is the acting principal, as a nasty flu is spreading throughout the school. Seems an explosive sneeze, which we witness, takes out Principal Figgins, as well as Mr. Shue. Next we see Mr. Shue in a tissue-strewn bed, being waited on by a surprise nurse, Terry. Shue is less than impressed, even when he discovers Terry is seeing a therapist and is medicated. He is even less impressed when she asks him to flip over to take his temperature. He asks Terry to leave, only to have her leave him the one DVD that will make him feel better, Singing In The Rain.

Although Rachel thinks the time is right to take over the Glee Club, the other kids are less impressed by the coop. Kurt has the fine idea to ask the substitute teacher who is covering Shue's Spanish class, Ms. Holiday as played by Gweneth Paltrow, to take over the reigns of the club. After all, he loved when she was the substitute English teacher, and had the class sing Conjunction Junction.



Right away, we learn that Holiday is one of 'those' teachers, who is wanting to be best friends with the kids, askinig the kids what they want to sing. Puck suggests Cee-Lo, and Holiday takes it on herself to do just that. Gweneth sings Cee-Lo's Fuck You, only it is Forget You in prime time television. This video is in the intended state, so it might not be safe for work or kids.



Sue steps into the boys locker to tell the Beiste that Sue is officially disbanding the football team. The Beiste reminds Sue with no football, there is no cheerleaders. Sue needs to rethink her plan. Next we have will having a dream, as he performs Make 'Em Laugh from Singing In The Rain.



Mr. Shue is at home, still recovering. Terry offers to rub a bit of Vick's Vap-O-Rub on him, which he resists at first. I would guess it was because he was embarrassed to have recently waxed his shockingly smooth chest. This, of course, leads to more, as Mr. Shue seems unable to make a good decision about love and sex. Mercedes has her Norma Rae moment to get her well-deserved tater-tots. Seems Principal Sue has banned all food she considers junk, and Tater-Tots are on that list. Rachel & Ms. Holiday have it out by Rachel's locker, and Holiday tells Rachel to let loose, and choose the song she wants to do. Rachel has one in mind, a duet, and Holiday offers her own assistance. They do a song from Chicago, Nowadays.



Shue makes his way back to the school, only to be intercepted by 'Principal' Sue, and discovers she has fired him, cause she likes Ms. Holiday's hair better. I think she might not have fired him if he still had his chest hair. But I might be wrong. A night out with Kurt, Blaine and Mercedes is less than enthralling for her. She is lost between the talk of Prop 8, DADT, marriage equality, and Patti LuPone's autobiography. And her need for Tater-Tots. Mercedes is ultimately uninterested in the conversation of the two gay boys. Soon we are observers at a heart-to-heart between Shue and Holiday, when Holiday tells Shue she has failed, not able to be the teacher she once was. As they talk, they are interrupted by Terry, who accuses them of being bad. Shue admits he made a mistake making love to his crazy ex-wife, and asks her to leave, for good. That has never worked before, so we will see what happens...

Mercedes and Kurt are chatting about Tater-Tots, and love problems. Kurt is really happy about his mysterious relationship with Blaine. But he takes it on himself to mention that all Mercedes worries about food might just be her need for love in her life. Mercedes decides it is time to talk to the cute guy Kurt wanted to set her up with, and Kurt gets threatened by Karovsky, who still has a thing for the cute crooner.

After an odd conversation with Principal Sue, Shue is back as Glee leader, following the kids all saying sweet things about him. On his return, he tells them he would like to do Singing In The Rain at Regionals. The kids balk, as they wanted something more current. Shue decides to seek help, and asks Holiday to help him sell the old musical. She is more than happy to assist, and they break into the mash-up, starting with Rihanna's Umbrella.



While Gweneth and the kids are sloshing around on the rain-filled stage, Shue joins them to sing his part of the mash-up, Gene Kelly's Singing In The Rain.



End scene.

Monday, October 11, 2010

SideXSide with Levi Kreis & Eric Himan

sidexside tour,levi kreis,eric himan sidexside tour,levi kreis,eric himan
Levi Kreis, left, and Eric Himan, right.

Dates for the upcoming SideXSide Tour have been announced, and I think if it is at all possible, you need to get to see a show. Over the next few months, Levi Kreis is teaming up with buddy Eric Himan and singer/songwriter Jason Antone for a couple of engagements on Monday nights, when Million Dollar Quartet is taking the night off. Sandwiched in between Tony Award-winning performances, you can catch them in Chicago, Montreal, Washington, DC, Baltimore and Philadelphia. This tour is bound to be something incredibly special. I already reserved my spot for two of the stops, and would hit all five if I could.

sidexside tour,levi kreis,eric himan

From the description of the show, I would guess the show will feature the music from Levi's latest effort, Where I Belong. That works for me, cause I think it is a brilliant album, with lots of music that moves me and makes me wanna move. I reviewed the album here. And the first single from the album, Nothing At All, was topping the video charts at LOGO and VH1. You can see the video here. It will be my first chance to see Levi live doing his own material, as I was lucky enough to see his electrifying performance in Million Dollar Quartet.

sidexside tour,levi kreis,eric himan,jason antone

It won't be my first time seeing Eric Himan, and I have kinda lost count of the number of times I have had the privilege of experiencing his amazing energy. I know Eric is about to release a new album, Out With The Old, a combination of older and new music worked out for a piano, not the guitar I have grown accustomed to Eric playing. Well, I already pre-ordered it here, so I would guess he would play some of those songs, as well as maybe a song or two from his collaboration with Jimmy Adams and Angel Adams.

sidexside tour,levi kreis,eric himan,jason antone

They are being joined on the tour by Jason Antone, and I have to admit I don't know a lot about him, but I have checked his music out on YouTube, and he has a voice to match those gorgeous eyes. His music tends toward the Pop & Dance side, so it will be interesting to see what he brings to an acoustic environment.

SideXSide Tour

11.01.10 | 7:30pm
The Apollo Theatre, Chicago, IL
SideXSide Tour Kickoff: With Eric Himan & Jason Antone
Where I Belong: An Intimate Evening with Levi Kreis

11.15.10 | 8pm
Le Piano Rouge Lounge, Montreal, QC, Canada
SideXSide Tour: With Eric Himan & Jason Antone
Where I Belong: An Intimate Evening with Levi Kreis

11.29.10 | 7:30pm
Jammin' Java Vienna, VA
SideXSide Tour: With Eric Himan & Jason Antone
Where I Belong: An Intimate Evening with Levi Kreis

12.06.10 | 7:00pm
Baltimore Theater Project, Baltimore, MD
SideXSide Tour: With Eric Himan & Jason Antone
Where I Belong: An Intimate Evening with Levi Kreis

01.03.11 | 9pm
World Cafe Live Philadelphia, PA
SideXSide Tour: With Eric Himan & Jason Antone
Where I Belong: An Intimate Evening with Levi Kreis

For more information about the shows, check out Levi's ReverbNation site here.While you are there, take some time to listen to his music, and I know you'll be an fan, too.

Monday, March 8, 2010

Dark Monday - Chicago




In 1926, a play written by journalist Maurine Watkins made it to Broadway. It was based on an actual murder case, thought to be so scandalous Watkins used her notes for the script. Well, 49 years, and the musical version made it to Broadway, under the choreographic and directorial eye of the amazing Bob Fosse. With music and lyrics by John Kander with lyrics by Fred Ebb, it defied the usual musical route, taking it's cues from vaudeville and the rule-breaking theater of Bertold Brecht in the 20s and 30s. Speaking and singing freely to the audience, there is no 'fourth wall' to the show, drawing the audience in while also blurring the lines between yesterday and the present. In the original Broadway production, the lead roles were played by Gwen Verdon and Chita Rivera, who were simply extraordinary.



The story focuses on a couple of criminals, Roxy Hart and Velma Kelly. Nightclub star Velma is a convicted murderer, having killed her husband and sister after finding them in bed together, a crime and trial that commandeered the headlines. But first she sings All That Jazz to welcome everyone to the audience. The clip is from the 1997 revival of the show, starring Bebe Neuwirth, who won a Tony for the work.



Soon chorus girl Roxy is arrested for killing her lover, stealing Velma's thunder. Although Roxy has convinced her husband she killed a burglar, not everyone is buying it. But they are certainly not the only convicted murderers in the prison, and it seems each one has a story and a reason for doing it. They tell their stories in Cell Block Tango. In 2002, the movie version was released, with deft direction from Rob Marshall.



Matron 'Mama' Morton runs the ladies prison, and she runs it with an iron fist and a game plan. She sets up some simple rules, and explains them in When You're Good To Mama. In the movie, Mama Morton was played to perfection by Queen Latifah.



Billy Flynn is the lawyer for both of the ladies, and is a shrewd man, handling the story both in the court and in the newspapers. He is also handsome and dashing, and explains why he does what he does in All I Care About. In the original Broadway production, Billy was played by Jerry Orbach, better known at this point for his role in Law & Order.



To explain how Billy will get an acquittal for Roxy, he explains all it takes is a little Razzle Dazzle. In the film, handsome Richard Gere played Billy, and Renee Zellweger played Roxie.



Indeed, Billy delivers, but as they are leaving the courtroom, word breaks on a new crime, and we all know Roxy's fame is over, and she will be returning to the nightclubs, sharing billing with Velma.

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