Showing posts with label american music club. Show all posts
Showing posts with label american music club. Show all posts

Wednesday, May 9, 2012

If I Were A Carpenter • A Tribute

If I Were A Carpenter album cover
american music club Dishwalla
Sonic Youth Matthew Sweet 4 Non Blondes
Clockwise, under cover: American Music Club; Dishwalla; 4 Non Blondes; Matthew Sweet; and Sonic Youth.

Since the New Year, I have run a couple of posts about the music of the Carpenters, the group fronted by Karen and Richard Carpenter, the siblings who set the music world on it's ear in the 1970s. Over the course of three posts, I brought you the chart-topping hits that made them a household name, and why I certainly bought soe of their albums for my own collection. You can find those posts here, here, and here. But now I think I will bring you another look at their music, with a distinctly different sound. I also have the CD If I Were A Carpenter in my collection, a tribute album by some of the top alternative rock bands of the early 1990s. The album, released in 1994, was a great way to be introduced to some incredible bands just making a name for themselves. Like, for instance, American Music Club. I first mentioned American Music Club back in 2010, the band fronted by Mark Eitzel. The band was making music since the mid 1980s, and really were garnering attention for their highly praised album, Everclear. On the compilation, they took on Goodbye To Love, composed by Richard Carpenter and John Bettis.



Next up there was the much-heralded New York City band, Sonic Youth. They were formed in 1981, and worked their way through the ranks to release a studio album in 1990. They never succumbed to life on a label, still making hard-rocking music with a hard edge. And they certainly delivered the edge to Superstar, an iconic ballad written by Bonnie Bramlett and Leon Russell in 1969.



In the early 1990s, a band was emerging out of Santa Barbara, California, with a polish that didn't take the sheen off their rock music. Dishwalla combined the brash music with the clear vocals of J.R. Richards. They were a perfect match for the song written by Carole King and Toni Stern for King's 1971 album. Dishwalla took on the Carpenter's 1972 hit, It's Going To Take Some Time. And it was the way I came to know the band, and become a big fan of their original music.



Throughout the 1980s and 90s, Matthew Sweet had quite the following. Although his time with record labels didn't wok out, his music was appreciated by a college-oriented fan base. He also had the attention of the critics, and helped bring attention to this compilation with his cover of Let Me Be The One, written in 1971 by Roger Nichols and Paul Williams.



In 1989, a rock band made it's way out of San Fransisco and on to a larger stage. Fronted by Linda Perry, 4 Non Blondes was best known for their 1993 hit, What's Up. They brought their own particular brand of rock, which utilized alternative grunge rock along with a dash of punk to make them distinctive. Shortly after the tribute album was released, the band broke up, and Linda Perry pursued a solo career, and was writing hit songs for some of the top names in the music business. But for If I Were A Carpenter, they delivered this amazing performance of Bless The Beasts and The Children, written by Barry De Vorzon and Perry Botkin, Jr.



You can find If I Were A Carpenter on iTunes and Amazon.

Saturday, April 24, 2010

Saturday Rocks - American Music Club

american music club

I innocently made a smart-ass comment on my friend James Graham's FaceBook page - cause that is what I do best - and the next thing you know, James, a photographer, and I were emailing and then on the phone, chatting about music. He was regaling me with tales of American Music Club, one of his favorite bands. According to James, a very pretty str8 boy, the lead singer, Mark Eitzel, would hit on him all the time. Eitzel, it would be fair to say, is an out and proud man, apparently with a penchant for hitting on pretty men. Who can blame him?

american music club

Before I got distracted by my own story, I was talking about chatting with James, an amazingly talented photographer soon to be releasing the first book of his photographs, first via FaceBook, then by email, and finally, on the phone. It started with a FB quote by James from Pink Floyd's Roger Waters referring to Vera Lynn, which I misread as Vera Ellen, and the conversation moved is the usual odd way with me and James, involving emailed pictures, and as the conversation moved to music, we ended up discussing American Music Club, one of James' favorite bands. Yes, following our train of though can be a confusing and confounding thing. I remembered them, but couldn't find any music, so James shared some with me. I think I had Everclear album, and specifically remembered the single Rise. The band was together from 1982 to 1994, but then reunited in 2003. The music was this amalgam of pre-EMO, post-Punk, post-New Wave, pre-Grunge rock that was, and still is, fairly amazing. It maintains a moodiness and presents such strong atmospherics, it just pulls me in every time. Eitzel was the driving force behind the San Francisco-based band, as well as guitarist Vudi, whose wonderful work always stamped the work with his handiwork.

american music club

The band released nine album, from 1985's The Restless Stranger, to 2008's The Golden Age. To be honest, I am not familiar with the last two albums, as I hadn't realized they reunited until James told me. But part of our discussion was about the amazing work the band did in the 80s and 90s, and how the seeming sullenness of Eitzel inspired such great music, and elevated him to the likes of an American Morrissey, which was meant as a high compliment from both James and myself. Eitzel's lyrics can be so disarmingly probing, poetry that can cause you to startle, they hit so close to home. Rather than blather on too much more, here are a selection of their songs, so go ahead, and give a listen.

1987 Outside This Bar


1991 Rise


1993 Gratitude Walks


2008 All The Lost Souls Welcome You To San Francisco


It is funny, but I am listening to Everclear as I write this. For an album released almost 19 years ago, it certainly maintains a connection to my soul, and sounds fresh and not the slightest bit dated. Hope you enjoyed the music, but if not, I certainly know James and I did. You can find more about American Music Club at their official website here. James has a blog, you can read it here. Don't bother asking him questions about me, I am sure he will lie, and make me sound much more interesting than I am. He is sweet that way. He's from the south.

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