Showing posts with label billie holiday. Show all posts
Showing posts with label billie holiday. Show all posts

Saturday, July 26, 2014

Torch From Berlin

Diana Krall photo diana_krall_zps83903673.jpg Louis Armstrong & Ella Fitzgerald photo Ella_Fitzgerald_and_Louis_Armstrong_zpse473a70a.jpg
Billie Holiday photo Billie_Holiday2_zps9be31392.jpg Judy Garland photo judy_garland_zps0c2f3592.jpg
Clockwise: Diana Krall; Louis Armstrong & Ella Fitzgerald; Judy Garland; and Billie Holiday.

After last week's foray into the Blues, I return once again to Jazz for our Saturday night entertainment. Inspired by the Johnny Mathis song from this morning, I once again returned to the well that has kept my Saturday nights in great music, with my muse for the evening, Irving Berlin. As a composer, Berlin has written great songs for some of the greatest characters of the 20th Century, and some of the greatest singers of the time. Tonight I will begin with a song made famous by the amazing Fred Astaire, and danced to by Fred and his partner, Ginger Rogers. The song was written for the 1936 film 'Follow The Fleet', starring Fred and Ginger. Sixty-three years later, "Let's Face The Music And Dance" was recorded by Diana Krall in 1999, for the album 'When I Look In Your Eyes'. Krall has a wonderful sultry style, which is truly on display on this recording. This is the official music video of Diana Krall singing 'Let's Face The Music And Dance'.



While Berlin wrote for many of the great stars of the 1930s and 40s, once again I go back to the quintessential stars of the period, Astaire and Rogers, from the 1935 film, 'Top Hat'. While few could deliver "Cheek to Cheek" with the suave style that is so easy for Fred Astaire, when I heard the recording used here, I got really excited. Whenever you combine the talents of Louis Armstrong and Ella Fitzgerald, how could you go wrong? You can't. Please enjoy Ella Fitzgerald & Louis Armstrong singing Berlin's "Cheek to Cheek", recorded in 1956.



"Always" was written in 1925, meant to be a wedding gift to his wife, Ellin. The two were married in 1926, and they were together until her death in 1988. Berlin had assigned the rights to this song and others to his new wife, ensuring that if something happened to him, she would still get money from his income stream of songs. In 1958, the song was recorded by the great Billie Holiday, and it is really very special. While many took it slow, Holiday made it a mid-tempo song, putting a bit of swing into the ballad. This is Billie Holiday singing "Always".



The final song of the evening is another that was introduced to the public in a Broadway score, before going on to a life of its own. "What'll I Do", written in 1923 and appeared in the show 'The Music Box Review' of the same year, as well as in the show for the 1924. It was a hit with the audience, and proved to have staying power when it was sung by the great voices in music for decades to come. In fact, it was sung by the great Judy Garland on her television show in 1964. Yes, forty years later,the song was still entertaining audiences. This is Judy Garland singing "What'll I Do" on 'The Judy Garland Show'.



Hope your weekend is allowing you to soar!

Saturday, September 14, 2013

Some Wonderful Music by Jerome Kern

Helen Forrest photo HelenForrest_zps485e9618.jpg Audra McDonald photo audra-mcdonald_zps46a1213f.jpg
Billie Hiliday photo Billie_Holiday_zpsc0808fcb.jpg Barbra Streisand photo BarbraStreisand_zpsed612a3c.jpg
Clockwise: Helen Forrest, Audra McDonald, Barbra Streisand, and Billie Holiday.

Tonight, I thought I would offer you a few beautiful music written by the great composer, Jerome Kern. Whether partnered with Oscar Hammerstein II, or with other lyricists, Kern wrote some amazing songs that found their way into the Great American Songbook, and being performed by some of the great in the Jazz industry, from the great instrumentalists to some of the best voices recording. He was responsible for the music from great shows like the 'Ziegfeld Follies' of 1915, 1916, and 1917, 'Show Boat', 'Roberta', 'Swing Time', and 'Lady Be Good'. I was first introduced to the song by Barbra Streisand, from her 1967 album, 'Simply Streisand'. I was enchanted by it, for is has such a beautiful melody. But here I bring you the 1939 recording of "All The Things You Are", by Artie Shaw & his Orchestra, with featured vocals by Helen Forrest. The song was written for the 1939 musical 'Very Warm For May'. This version has qualities of Pop and Swing, and is really rather divine. This is Helen Forrest with Artie Shaw & his Orchestra singing "All The Things You Are".



I think it could be easily argued that the 1927 musical 'Show Boat' is the most well-known score Kern wrote. So many of the songs made it into Pop culture, performed by Big Bands, Pop singers, Jazz artists, and Opera singers. With music by Kern and lyrics by Oscar Hammerstein II, and songs like "Old Man River", "Make Believe", "Can't Help Lovin' Dat Man", and the next song, it is easy to see why. Next up, I will go with Audra McDonald singing the beautiful "Bill". It is easy to see why she is the winner of 5 Tony Awards, or should I say hear why. Her voice is amazing, and when she takes on the song from 'Showboat', with lyrics by Oscar Hammerstein II. This is stunning.



Sometimes it seems impossible for me to not include Billie Holiday in my Saturday night posts. As this night features classic songs and performances, she always qualifies. And once again, I couldn't resist including her in this tribute to Jerome Kern with a recording of her singing "The Way You Look Tonight". The song was originally featured in the 1936 RKO Radio Pictures musical, 'Swing Time'. The lyrics were written by Dorothy Fields, and originally sung by Fred Astaire to costar Ginger Rogers. As expected, Lady Day delivers the goods, and more in this 1936 recording with Teddy Wilson & his Orchestra. This is "The Way You Look Tonight".



Well, I have decided to come full circle, and return to the source. I was first introduced to many classic songs with my preoccupation with the talented Barbra Streisand. As a young teeen, I was buying up her early releases, including 'My Name Is Barbra', the soundtrack to her first television special from 1965, 'My Name is Barbra'. "Make Believe", from the previously mentioned musical 'Showboat', is a gorgeous song of love and longing, and beautifully delivered by the young Streisand. This is a clip from the special, and also includes her singing the song "I'm Late".



Hope your weekend is making you sing!

Saturday, August 17, 2013

Tinseltown Torch

Ella Fitzgerald photo ella-fitzgerald_zpsaeb15ee3.jpg Billie Holiday photo Billie-Holiday_zps4535609a.jpg
Linda Ronstadt photo LindaRonstadt_zpsdf11001d.jpg Aretha Franklin photo Aretha_Franklin_zps197e1a9e.jpg
Clockwise: Ella Fitzgerald; Billie Holiday; Aretha Franklin; and Linda Ronstadt.

Tonight I thought I would pick some amazing songs I first heard in films coming out of Hollywood. Much of my early music education came from the black and white movies I watched when I could, featuring the greats of the business like Fred Astaire, Ginger Rogers, Judy Garland, Mickey Rooney, Ann Miller, and just so many other talented artists. I will begin with "Isn't It Romantic", a song composed by Richard Rodgers, with lyrics by Lorenz Hart. It was introduced in the 1932 film 'Love Me Tonight', sung by Jeanette MacDonald and Maurice Chevalier. For tonight, I offer a version by Ella Fitzgerald, recorded in 1957. This is Ella's "Isn't It Romantic".



The next song was written by Herman Hupfeld in 1931, but it wasn't really known until it appeared in a film in 1942. When pianist Sam played and sang "As Time Goes By" in the bar in 'Casablanca', the film starring Humphrey Bogart and Ingrid Bergman, it became an instant classic. Sam, played by Paul Dooley, delivered the song perfectly, a perfect theme for the love heroically lost in the film. Tonight, I offer you a version of the song by the great Billie Holiday. She recorded it with Eddie Heywood & His Orchestra in 1944. I hope you enjoy Billie Holiday singing "As Time Goes By".



"When You Wish Upon A Star" was written by Leigh Harline and Ned Washington for Walt Disney's 1940 adaptation of 'Pinocchio'. The song became a theme for Disney Studios, and I remember hearing it every Sunday night when I watched 'Walt Disney's The Wonderful World of Color' television series in my youth. It is such a wonderful song filled with hope. I chose a version sung by one of my favorite singers, the amazing Linda Ronstadt. She was perfect for the song, having such clarity and crispness in her notes. I love this live performance from 1986, as she sings "When You Wish Upon A Star", off her 1986 album, 'For Sentimental Reasons'.



The final song of the evening was written by James V. Monaco, the lyrics by Joseph McCarthy in 1913. One of the earliest recordings of "You Made Me Love You (I Didn't Want to Do It)" was by Al Jolson, and it has been sung by so many, from Screaming Jay Hawkins to Cookie Monster to Rufus Wainwright. But one of the most memorable versions for me was sung by the young Judy Garland, with special lyrics written as a birthday tribute to Clark Gable. When I found a version by the great Aretha Franklin, I just knew it had include it in this post. I hope you love Areatha's "You Made Me Love You (I Didn't Want to Do It)", featured on her 1962 album, 'The Electrifying Aretha Franklin'.



Hope your weekend is a great one!

Saturday, July 20, 2013

Lawd, Have Mercer... Love Songs of Johnny Mercer

Emmy Rossum photo Emmy_Rossum_zps7d1921f7.jpg Maxine Sullivan photo maxine_sullivan_zps248e9c3a.jpg
Barbra Streisand photo barbra-streisand_zps8fd73ce6.jpg Billie Holiday photo Billie_Holiday_zps41e419c8.jpg
Clockwise: Emmy Rossum; Maxine Sullivan; Billie Holiday; and Barbra Streisand.

Since it has been rather hot and humid in the Mid-Atlantic region, I was in the mood for some song of summer when I was putting this post together. While going through my iTunes - yes, I have a stupid amount of music on my external drive - I came across the song "Summer Wind". I had two versions, one by Lyle Lovett, and the other my Westlife. As I thought about the song, I remembered it had lyrics by the great Johnny Mercer, and there you have it, the birth of a post. So that left with the duty to find the songs and artists I wanted to include. First up, I wanted to see how many people have recorded "Summer Wind", and I was intrigued with the notion that Emmy Rossum had. Now, I knew Emmy could sing, but have been enjoying her on the Showtime series 'Shameless' so much, I'd forgotten about it. I hadn't realized she released 'Sentimental Journey', a collection of classic songs from the 1920s to the 1960s. Honestly, I really enjoy her version of the first song, written in 1965 by Mercer with Heinz Meier. So here is Emmy Rossum singing "Summer Wind".



Since I was picking songs by Johnny Mercer, there is no way I could ignore a beautiful song like "Skylark", with lyrics by Mercer, and music by the great Hoagy Carmichael. It was long rumored Merer wrote the lyrics while trying to get over an affair he had with Judy Garland, who at the time was engaged to another man. While I have no idea if that is true or not, it would certainly explain the very real melancholy in the song. The song was written in 1941, with wonderful eraly recordings by Anita O'Day and Helen Forrest. However, I decided to go with the lovely recording by Maxine Sullivan. In 1947, Sullivan recorded teh song with the Ellis Larkins Trio. Please enjoy Maxine Sullivan singing "Skylark".



There are just a few songs it seems so very wrong to not include in any discussion of the man. For my money, the top of the list would be the song with music by Henry Mancini, written for the iconic 1961 film, 'Breakfast at Tiffany's'. It was sung in the movie by the wonderful Audry Hepburn, and a recording by Mancini and his chorus became a hit. Almost immediately, it became a classic, and sung by many. Singer Andy Williams became closely identified with his recording. But I opted to go with a truly beautiful recording by one of my favorite singers of all time. Yes, I am speaking of the great Barbra Streisand, who recorded "Moon River" for her 2003 release 'The Movie Album'. I love it.



And, for the last song of the evening, I have to chuckle, for it is the second of the four that has also been affiliated with the Divine Miss M, Bette Midler. On the final night Johnny Carson hosted the tonight show, he invited Middle to be his final guest, and that she sing a particular song, one of his favorites. That song was "One For My Baby (And One More For The Road)", written by Harold Arlen and Johnny Mercer for the 1943 movie musical 'The Sky's the Limit'. While the movie might not be remembered as one of the greats from the period, this song definitely is. It has been sung by the best the music business has to offer, but there is one that stands out to me. I just love the recording by Billie Holiday, off her 1957 album 'Songs for Distingué Lovers'. So here is 'Lady Day' singing "One For My Baby (And One More For The Road)".



I hope you enjoyed this visit to Mercer-land. I know I did.

Wednesday, May 1, 2013

American Idol 12 Recap & Review - Top 4 Encore - The Music of Now & Then

Well, we learned that the performances and voting were all for naught last week, for the Producer's Twist was that no one was going home, something many of us saw in the cards due to the remaining broadcast schedule. But in the lamest of seasons to date, the 'big' news was that the show would adhere to the schedule, and the expected non-elimination would happen. This week they asked the contestants to come up with songs that apply to the theme 'Now & Then', meaning picking a hit song from 2013, as well as a classic song from the Great American Songbook. We will find out if the new performances can change up the voting order, as last week Angie and Kree were the Top 2, while Amber and Candice filled out the Bottom 2. Can the producers and the judges convince the voters to keep the skinny girls around? Only time will tell. After all, they are going to have to send someone home this week, aren't they? Before we find out, the Top 4 will have to sing for survival...

American Idol Season 12 Top 4 photo AmericanIdol-Top4-Hometowns_zps2c5365f2.jpg
Clockwise: Candice Glover; Kree Harrison; Amber Holcomb; and Angie Miller.

The show starts out with a clip of the non-elimination last week, and the emotions it brought out. Judges were hugging contestants, and they were hugging one another. But it means it is time to get down to business, for the performances tonight and next week will decide who is going to the finals. The announcer brings out Nicki Minaj, Randy Jackson, Mariah Carey, and Keith Urban, followed quickly by Crusty, who announces not only will the energy be up this week, but the ladies will be coached by Harry Connick, Jr, and Crusty also tells us the two themes for the night; first the ladies will sing a hit song from 2013, and then will follow that up with a song from yesterday, a classic standard. Connick certainly has a history with both, having gained popularity as a crooner, as well as making music of his own. The performances kick off with Angie Miller singing “Diamonds” by Rihanna. She tells Harry she will be mixing it up, and putting her own spin on it. But first, let's hear Rihanna singing "Diamonds".


Angie and Harry are cutting it up, but it went on a bit too long. For the performance, the production is stripped back, with Angie on the piano to make the judges happy. I am not loving the arrangement, for the song was sluggish enough without adding to it. While she stays in tune for much of the song, toward the end she starts to strain, and falls off key. Keith didn't love the performance, felt it didn't go anywhere. It felt too stripped back for him. Nicki felt it was lackluster, like she was playing more to the cameras than from her heart. Basically, Randy and Mariah agreed, although Mariah refused to say she agreed with Nicki, prompting more articles about the panel, and not the singers, I am sure. Pardon me while I roll my eyes. After the commercial break, we see Amber Holcomb meeting with Harry, telling him she will be singing “Just Give Me A Reason”, originally sung by Pink and Nate Ruess. Amber forgets the words as she was singing for Harry, but he doesn't care, he just loves her voice. This is Pink and Nate Ruess singing "Just Give Me A Reason".


The song starts off in a nice place for her voice, showing some nice support. But the performance overall is a bit hollow, with the chorus being just a bit too staccato, almost sing-song. She did stay on key better than usual, although there were a few notes that strayed. It was fairly dull, and seemed like the wrong choice of songs to sing. Nicki didn't love it either, and felt it was lacking. Randy thought she looked nervous, or maybe preoccupied. She admits to being nervous about the lyrics. Mariah tried to brush off the mediocrity, looking forward to the next song. Keith loves her voice, but didn't love the performance. After what seemed like an endless commercial break, Crusty brought out Candice Glover for her first song of the night. In the video, Candice tells Harry she will be singing “When I Was Your Man” by Bruno Mars. She wants to tell a story, not be the subject of the song. Well, cause she's not a man. Harry is trying really hard to be funny, and seems like he is trying too hard. But soon it is over, so let me share Bruno Mars singing "When I Was Your Man".


She is in exceptional voice, and plans to show that to everyone. The first verse sounds a bit nervous, but that soon disappears, and she delivers the goods. She puts an R&B spin on it, and really is able to soar on it. Randy loved it, and so did Mariah. She thought it was exceptional, and Keith didn't care about the gender bending, she sounded great. Nicki thought they were remiss for not giving her a standing ovation, and so Randy and Keith joined her in one for Candice. After they were done, Mariah stood to flicks some glitter at her, getting her own moment. Frankly, I thought Candice deserved more attention than the judges... Crusty tells us that after the break, it will be time to see Kree Harrison, who will be singing a song that Carrie Underwood sang on that stage just a few weeks ago. In the video clip, Kree tells Harry she will be singing “See You Again”. After she sang it for him, he loved it, and told her not to change a friggin' note. Here is Carrie singing "See You Again".


She begins the song with a sweet and warm tone to her voice, and it stays there. She sounds fantastic, and the song reacts well to her sparse arrangement. This allows her voice to be front and center, and she sounds amazing. I thought she was brilliant, and put Kree and Candice in a dead heat after the first round. Mariah loved it, and felt she was magnificent, and sounded so authentic. Keith didn't agree, and felt there was a disconnect between the song and the performance. Nicki thought Kree was totally connected to the song, and she loved it. Randy agreed, and thought her voice was flawless. Even Harry Connick, Jr, had to come out to say how much he loved the performance. As he was announcing the numbers, Crusty called her Kreedom, as if Nicki was now giving them all new names... If the first four performances featured the music of 'now', the next four will feature the music of 'then', as the contestants picked a classic standard from the Great American Songbook, just so we don't get to thinking they can seem current the whole show. As we start the rotation again, Angie is back with Harry, and tells him she will sing “Someone To Watch Over Me”. It was composed by George Gershwin with lyrics by Ira Gershwin from the 1926 musical 'Oh, Kay!', where it was introduced by Gertrude Lawrence. This is a recording by Sarah Vaughan from 1958.


Angie dedicates it to her Mom, who used to sing it around the house. She does a simple arrangement, soft and sweet. She begins nicely, but soon the slowed tempo of the song reveals her voice to be a bit uneven, and at times get covered by the band, while at other moments strains too be over the top. There were times her vibrato got a little abrasive, battering. Keith loved it, even if it did feel so old fashioned. Nicki thought she was like a Disney Princess, and how she only seemed engaged during the high end of her voice. Randy loved her vocals, even if he hated the arrangement. Mariah tried to disagree with Nicki, and lost the singer in the mix. After a break, Crusty reminds us the votes from last week are being added to those of last week for the results tomorrow night. In the video clip, Amber tells Harry she is singing “My Funny Valentine”, first recorded by Mitzi Green in the MGM Musical 'Babes In Arms'. It was written for the 1937 Broadway show by Richard Rodgers and Lorenz Hart. When she starts singing, Harry recognizes she doesn't understand the song at all, so he explains it to her. Connick thinks she has a beautiful voice, and hopes she connects with (and understands) the song in performance. But before that, give a listen to this recording by Ella Fitzgerald from 1956.


As she starts singing, I don't really see a difference. She has plenty of vocal tricks, but again they seem more like a crutch than an expression. It was very paint by numbers, but I didn't feel it coming from her heart. It was fairly hollow. Of course, the judges greeted her with a standing ovation, and they loved it. They thought it was great the first time she sang it (with no understanding of the lyrics whatsoever), and even better now (after Harry explained it to her). She cries a little, and they try to lift her up. But they do seems to have come to the realization she was the weakest of the night, and stands a good shot at going home. Crusty chats with Harry in the audience, and he disagrees with the judges, and felt the run at the end of Amber's performance distracted from the song. Soon we see Candice going to see Harry again, telling him she will be singing “You’ve Changed”, originally written by Bill Carey and Carl Fischer in 1941. It was first released by Harry James's band with vocals by Dick Haymes. Harry helps her to simplify her performance, to mean what she is singing. Listen to this amazing version of the song recorded by Billie Holiday in 1958.


She comes out in perfect voice, and connects with the lyrics. She is singing from the heart, and her emotions are on her sleeve. There is an ebb and flow to the performance, and it was fantastic. Even when she brought some runs in the end, they were tied to emotion, not acrobatics. Randy loved it, and took the moment to tell Harry he is wrong (when he wasn't), and doesn't know what he is talking about (even if Connick was brought in as the expert mentor). Mariah thought it was brilliant, so touching and textured. Keith loved it, and Nicki thought no more was needed, and tossed it to Crusty. He reminded us that we still have Kree to sing tonight. In her clip with Harry, Kree tells him she will be singing “Stormy Weather”, a song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it that year. He tells her to cut the pyrotechnics, and sing the damn song. The song became a signature song for great Lena Horne after she sang it in the 1943 film of the same name, so enjoy her performance here.


She comes out looking beautiful, and sounded fantastic. Her tone is so crisp and so clear, and she sticks to the melody for most of the song. She puts in some embellishments toward the end, and gave it a Country feel to it. I thought it was stunning. Mariah is unsure it was the right song, going for something more bluesy. Keith thinks it was the wrong song as well. Nicki has a problem with Harry, and with song choice. Randy basically says Harry was wrong and taking them in a wrong direction, and she must be herself. And that means doing the Etta James version of the song. Harry gets hilarity of that statement, and even Nicki does, but it still seems lost on Randy. I am not sure, but I think Harry just nailed his audition to be a judge for American Idol Season 13. After all was said and done, they talked Kree down, while telling her her vocals were stellar. After a break, the ladies came down the aisles with their own dancers in two, and they were singing “Wings” by Little Mix.


This was nice, but sure sounded not live. It had a very 'Up With People' feeling, and not really connected to the rest of the show. It is time to recap, it comes down to the fact that Candice and Kree were the two best for the night for me. It wasn't close. There is a big gap, and then Angie's performances. At the bottom is Amber, who I suspect will be leaving tomorrow night. No amount of blowing smoke is going to make it sound any different to me. Of course, one never knows until the results are read on Thursday night, at 8PM. Well, to be honest, at 8:55PM on your local Fox station.

Saturday, March 23, 2013

Spring Inspires

Blossom Dearie photo BlossomDearie_zps2c525bc0.jpg Anita O'Day photo anita-o-day_zps0a7094d1.jpg
Billie Holiday photo Billie-Holiday_zpse8008c95.jpg Sarah Vaughan photo sarah-vaughan_zpsfd38b59f.jpg
Clockwise: Blossom Dearie; Anita O'Day; Sarah Vaughan; and Billie Holiday.

This week, we ushered in Spring, even if much of the United States is still wrapped in colder temperatures, and even some snow. But I thought I would welcome the season, and maybe inspire a bit of warm weather with some songs about Spring, sung by some of the finest vocalists I can find. And I will start with the adorable and charming Blossom Dearie as she sings "Spring In Manhattan", a song written by Anthony Scibetta. It was off the 1976 album 'My New Celebrity Is You'. I love the way Blossom takes on the song, with a light and airy approach.



I am such a huge fan of Anita O'Day, and still listen to her often. She has her own style, and a voice that not only sounds great, but also has a beautiful edge to it. Anita's battles with drugs and alcohol were noted, but I think that also colored her voice in some wonderful ways. For this post, I picked out her singing a duet with Cal Tajder, a great pianist of the day, from the 1962 album they released, 'Time For Two'. They did an amazing job with Frank Loesser's "Spring Will Be A Little Late This Year". The song first appeared as part of the soundtrack of the 1944 film, 'Christmas Holiday'.



If you are putting together a list of great singers, you can certainly never leave off the great Lady Day, Miss Billie Holiday. She recorded "Some Other Spring" for her 1956 album, 'Lady Sings The Blues'. The song was written by Arthur Herzog, Jr. and Irene Kitchings. Herzog collaberated several times with Billie, including writing her iconic song, "God Bless The Child", with her. But this is Billie singing "Some Other Spring".



I think Sarah Vaughan is an amazing talent, and vastly underrated. The things she could make her voice do is amazing. It often feels like her voice is truly another instrument, adding musical depth to whatever she sings. I picked her singing "Spring Can Really Hang You Up The Most", a song written in 1955, with lyrics by Fran Landesman and music by Tommy Wolf. It was included on the 1963 album 'Snowbound', surrounded by some truly amazing Jazz songs.



Happy Spring, everyone!

Saturday, February 2, 2013

It Had To Be Whoopee • Lyrics by Gus Kahn

Ruth Etting photo ruth_etting_zps7f5b17fe.jpg Billie Holiday photo billie-holiday_zps1ab38ba3.jpg
Teresa Brewer photo TeresaBrewer_zps2f015c40.jpg Dinah Washington photo DinahWashington_zps7f495f7a.jpg
Clockwise: Ruth Etting; Billie Holiday; Dinah Washington, and Teresa Brewer.

Once again, I was not sure what I was going to do for this week, and then it hit me. I was doing the morning post for featuring Cass Elliot, and I was typing in that the lyrics were written by Gus Kahn, and I realized that was it, I had to feature the lyrics of Gus Kahn! So here we have it, a German immigrant who went on to be a great Tin Pan Alley lyricists, writing for singers, big bands, Broadway, and vaudeville. He wrote in the 1910s, 1920s and 1930s, when many of the songs in the Great American Songbook were being heard. In fact, he has several of those songs, including the songs featured here. And I will start with one that was published in 1922, and recorded by so many of the great voices in the music industry over the next several decades. I bring you the 1955 recording by Teresa Brewer, singing "My Buddy", with music by Walter Donaldson.



When I was thinking which recording I would pick for the next song, it didn't take me long at all. While some of the greatest voices have tried their hand at "It Had To Be You", I felt the interpretation by Billie Holiday in 1955 would be hard to top. The song was originally published in 1924, and had music by Isham Jones. Many remember it from the 1942 film 'Casablanca', but it was written 18 years before. Enjoy as Lady Day sings "It Had To Be You".



"Love Me Or Leave Me" was first heard in the score of the Broadway show, "Whooppee", which graced the stage in 1928. It was introduced by singer/actress Ruth Etting, and the song was so popular, her recording became the top-selling recording of the time. In fact, it was so popular that when Etting returned to the stage in 1930 with a different show, the song was added to placate many of the audience who wanted to hear Etting sing it! So enjoy Ruth Etting singing "Love Me Or Leave Me", with music by Walter Donaldson.



And finally, we have another song that was also written for the 1928 production 'Whoopee". With music by Walter Donaldson, "Makin' Whoopee" was first sung on the stage of jazz great Eddie Cantor, who also recorded it. It was, of course, a song about sex, and warning all men should beware of the evil trap known as marriage. I just love the 1956 recording by Dinah Washington, for the absolute joy of it, with just a hint of flirtation.



Hope you are having a great weekend!

Saturday, January 19, 2013

Songs About The Moon

The Moon photo Moon1_zps581d843d.jpg
Helen Kane photo Helen_Kane_zps222534ce.jpg Billie Holiday photo BillieHoliday_zpsbcba038a.jpg
Jo Stafford photo JoStafford_zps8eaafbd2.jpg Anita O'Day photo anita-oday_zps86e2850f.jpg
Patti Austin photo Patti_Austin_zpse8f88f8b.jpg New Moon photo NewMoon1_zps3741aa0b.jpg
Clockwise: Helen Kane; Billie Holiday; Anita O'Day; the moon; Patti Austin; and Jo Stafford.

So just the other night, I was watching television when I got a phone call from my sister Kathy. With trepidation I picked up, fearful this could not be great news. She sounded excited when she told me "You have to see the moon, you just have to!" She was outside with her dogs, Tigger and Pooh Bear, when she saw it for herself. I couldn't see anything out of my window on a quick glance, so I grabbed my camera, just i case the moon was so very special, and went outside. It was a bright, full moon, to be sure, and I snapped a few pictures. In fact, the shots of the moon in this post are from that night. So when I was trying to come up with an idea for a post, I came across the shots, and it inspired me. So the following are all songs with the "moon" in the title, all written in the first half of the last century. And in the first clip, I bring you the oldest recording of the group, and the first song I went to when I had the theme in mind. The 1920s belonged to the flapper, and young Helen Kane was the epitome of that woman. In fact, she was the basis for the character of 'Betty Boop', both in look and in sound. In case you aren't sure about that, I say give a listen to her 1928 recording of "Me and the Man In The Moon".



And how could I do this post without one of the many songs that would fit recorded by the great Billie Holiday? In 1936, Billie had a recording session in New York City with some great musicians, and they all seemed to inspire the best from each other. So, with Jonah Jones on trumpet, Harry Carney on clarinet, Lawrence Lucie on guitar, John Kirby on bass and Cozy Cole on drums, here is Billie Holiday singing "It's Like Reaching For The Moon".



Next up, we have a song composed by Burton Lane, with lyrics by E.Y. Harburg for the 1947 musical 'Finian's Rainbow'. While there are plenty of great songs in that score, only one qualifies for this post. This time out, I look to the wonderful Jo Stafford when she was singing with Paul Weston's Big band. Here, from the 1958 album "Swinging Down Broadway", we have "Old Devil Moon'.



I also have to admit to having an unnatural attachment to the music of this next singer. With a song off her 1955 album 'This Is Anita', her debut release on the Verve label, I offer to you Anita O'Day singing "No Moon At All", written by Redd Evans and David Mann.



While I usually stop at four videos, I found it impossible not to include our final post to the group. While many might hear the name Patti Austin an think of some of the great R&B singles from the 1980s, like "Baby, Come To Me". And while her gorgeous voice might be just right for R&B, she is also stepping up and making some fantastic Jazz. In fact, she took home the Grammy in 2008 for Best Jazz Vocal. Here is Patti singing "How High The Moon" in a 2007 performance. The Jazz standard has lyrics by Nancy Hamilton and music by Morgan Lewis.



I hope you have great weekend, and when you look up at the moon, you are reminded of some of the great songs written and performed in the last 100 years. The five songs above are just a drop in the bucket of all the songs inspired by the lunar light. Find some to play on your iPod the next time you get the chance to relax and enjoy the moon yourself, or with someone you love.

The Moon photo Moon3_zpsa51a1e0e.jpg

Saturday, January 5, 2013

Just A Little Bit of Blue

Annette Hanshaw Billie Holiday
June Allyson Big Maybelle
Clockwise: Annette Hanshaw; Billie Holiday; Big Maybelle; and June Allyson.

Well, it is Saturday night, and time to hit the clubs again. Only these days, I think I would prefer a nice smokey nightclub to a dance club. Of course, they'd have to have only the best girl singers, putting down some amazing songs about love and life. Tonight, I am glad to feature four songs from four decades. And I will begin with the singer with the earliest recording of this quartet, Annette Hanshaw. Many think of Annette as the first great female Jazz singer, for she was exceedingly popular during the 1920s and 1930s. She was also thought to be the inspiration for the ultimate flapper, Miss Betty Boop. In 1929, Hanshaw recorded a song with music by Sigmund Romberg and lyrics by Oscar Hammerstein II for the 1928 Broadway show 'The New Moon'. That song went on to become a classic of the Great American Songbook, sung by many. Listen as Annette sings "Lover, Come Back To Me".



In 1934, another song was written that would be a part of the Great American Songbook. The song, with words and music by Ray Noble, is a Pop standard, sung by so many. But few could sing it like Lady Day. So here is Billie Holiday to sing "The Very Thought of You", which can be found on her 1959 album 'The Billie Holiday Story, Vol. 1'.



And while she really didn't record much outside of the cast recordings of the Broadway and movie musicals she appeared in, June Allyson was cast in many a musical. In fact, she began as a member of the chorus in Broadway shows, before moving up to understudy, and finally, the lead. And it wasn't long before she was on her way to Lon Angeles, on her way to movie stardom. That included being featured in the musical number "Treat Me Rough" from the 1943 musical "Girl Crazy". She is joined in the song by co-star Mickey Rooney, in one of the classics he played opposite Judy Garland.



And, last but most certainly not least, I have a song from a favorite of mine, Big Maybelle. She has a vast catalog of music, and I am oh-so-grateful for that. So I end out Saturday night together with her bluesy "I'm Getting 'Long Alright". The song can be found on 'The Complete Okeh Sessions 1952-1955' and was composed by Bobby Sharp and Charles Singleton.

Saturday, December 1, 2012

Keeping Warm This Winter

Ella Fitzgerald Peggy Lee
Billie Holiday Patti Page
Clockwise: Ella Fitzgerald; Peggy Lee; Patti Page; and Billie Holiday.

As the mercury in the thermometer slowly drops, I was wondering what I might do to keep warm. And when I turned to the ladies of song for an answer, several had answers for me. None less than the brilliant Jazz artist, Ella Fitzgerald. Singing a song written by Sonny Burke, and with lyrics by Paul Francis Webster, Ella thought we all just needed a nice cup of "Black Coffee".



However, not everyone thought turning up the heat was the answer. Take, for example, the 1941 recording by Benny Goodman and his orchestra, featuring Peggy Lee & Art Lund on the lead vocals. In a song written in 1941 by Tin Pan Alley writer Ted Shapiro, Peggy tells you right off the bat that she loves the "Winter Weather".



The great Irving Berlin wrote "I've Got My Love To Keep Me Warm" for the 1937 film 'On The Avenue' where it was sung by Alice Faye and Dick Powell. That same year, the song was recorded by the immortal Billie Holiday, once again adding that special touch only Billie could bring to a song.



In 1954, the musical 'The Pajama Game' premiered on Broadway. The show, written by Richard Adler and Jerry Ross, was an instant hit. That same year, recording star Patti Page recorded the memorable "Steam Heat" and scored a big hit with the tune.



Hope you are staying warm this weekend!

Saturday, November 3, 2012

Rain Can't Extinguish The Heart

Blossom Dearie Anita O'Day
Billie Holiday Diana Krall
Clockwise: Anita O'Day; Blossom Dearie; Diana Drall; and Billie Holiday.

No matter how much Sandy has blown, or how much rain she dropped on us all, she might be able to dampen our spirits, but she cannot douse the fire in our hearts. How do I know that? Well, there are some incredible ladies that tell me things, like the brilliant Anita O'Day when she sings "Soon It's Gonna Rain" from the 1960 musical comedy 'The Fantasticks,' with lyrics written by Tom Jones, and music composed by Harvey Schmidt.



Next up, there is a song from the 1970 album from Blossom Dearie, called 'That's Just The Way I Want To Be.' The last cut on the album is "I Like London In The Rain," written by Blossom and Jim Council. While Dearie started recording music in the 1950s, this was the first album that truly featured her talents as a songwriter, instead of a great interpreter of songs.



In 1997, Diana Krall put out a wonderful album, 'Love Scenes.' One of the songs was "Gentle Rain," written by Luiz Bonfá and Matt Dubey. It is a gorgeous and sultry song, perfect to just wrap yourself in.



Now, I do love to listen to the great Billie Holiday, and while it might have been easy to choose her "Come Rain Or Come Shine" recording, I couldn't resist picking a popular song written in 1936 by Arthur Johnston and Johnny Burke. Would it be great it when the skies open up, it rained "Pennies From Heaven"? Certainly if Billie was a part of it.



Have a great weekend!

Saturday, July 21, 2012

Love Can Give You The Blues

Dorothy Dandridge sarah vaughan
Diahann Carroll Ella Fitzgerald
Clockwise: Dorothy Dandridge; Sarah Vaughan; Ella Fitzgerald; and Diahann Carroll.

It's Saturday night, and time for to bring some of the great ladies of song to center stage, and teach us all a little something about love. The first to come out and join us will be singing a song written by Barbara Belle, Anita Leonard, Stan Rhodes, and Louis Prima in 1946. In 1947, Ella Fitzgerald recorded "A Sunday Kind Of Love" on the album For Sentimental Reasons. It was released by Etta James in 1961, on the album with her iconic hit, "At Last". But we'll return to Miss Ella singing "A Sunday Kind of Love", so smooth and gorgeous.



Although she might be known more for her acting, the gorgeous Diahann Carroll made her way their with a magnificent voice. Long before she played Dominique on Dynasty, or the working single mother on the ground-breaking Julia, or the star of the movie Claudine, she was featured on Broadway in shows like House of Flowers and No Strings. Those musicals brought her to a singing career, and engagements on variety shows for decades. While her singing career never equaled her acting, she has a magnificent voice, as she did here singing the classic "Some Of These Days" on a show in the 1980s. The song was made famous by Sophie Tucker several decades before, but Diahann brought down the house with it.



Sometime in 1942, an eighteen-year-old from Newark, New Jersey, played the piano for a friend in the Amateur Night at the Apollo Theater in Harlem. The friend earned second place, and later, Sarah Vaughan returned to sing "Body And Soul", and was the winner. In the spring of 1943, she was booked to open for Ella Fitzgerald at the Apollo, the beginning of her career. Here is Sarah singing "Body And Soul".



Like Miss Carroll, some might be more familiar with Dorothy Dandridge as an actress, as she was the first African American woman to be nominated for Best Actress for her role in Carmen Jones in 1954. She also was nominated for a Golden Globe for her role in the 1959 film, Porgy And Bess. But she worked her way to those roles singing with bands, and making "Soundies", the music videos of the early movies, showing singers and bands to entertain the audience between features. Here is one of those Soundies, with Dorothy singing Cole Porter's "You Do Something To Me".



Enjoy your weekend!

Saturday, March 10, 2012

Time For The Blues

Nina Simone Dame Shirley Bassey
Ella Fitzgerald Billie Holiday
Clockwise: Nina Simone; Dame Shirley Bassey; Billie Holiday; and Ella Fitzgerald.

Well, since time we get to set the clocks ahead, and lose and hour oa sleep to Daylights Savings Time, I thought "time" would be a perfect theme for the post this evening. I went into my iTunes, typed in the word "time" and see what songs came up. Then I shot over to YouTube, and went to work. So the first entry is from the amazing Nina Simone Just In Time. The classic song had music written by Jule Styne and lyrics by Betty Comden and Adolph Green in 1956. Simone had a style all her own, and it is truly in evidence here.



In our second entry by the amazing Jules Styne, Time After Time was written by Sammy Cahn and Styne in 1947. It first was sung by a great Frank Sinatra in the movie It Happened In Brooklyn. But here, I have a clip of Dame Shirley Bassey singing, with that gorgeous, rich voice of hers.



Ev'ry Time We Say Goodbye a song with lyrics and music by Cole Porter. It was introduced in 1944 in Billy Rose's musical revue, Seven Lively Arts. It has been sung by some of the greats in music, from Chet Baker to Tony Bennett to Annie Lennox. Here, I think Ella Fitzgerald gives an amazing performance on the song.



As Time Goes is a song written by Herman Hupfeld in 1931. It became most famous in 1942 when it was sung by the Dooley Wilson, playing Sam the piano player, in the movie Casablanca. I have always been amazed by the version given by Billie Holiday on the song.



Hope you've enjoyed your time here tonight. And remember, Spring forward, and Fall back. Set your clocks ahead one hour when you go to bed!

LinkWithin

Related Posts with Thumbnails