Worth Another Listen - I Don't Like Mondays

Was watching a movie on BBC America about the story behind putting Live Aid together. It was called When Harry Met Bob, and it made me think about the Boomtown Rats and their amazing song, I Don't Like Mondays. I was thinking about it and decided it needed to be a post. And, luckily enough, I have a music blog, so here it goes.

The song was released 31 years ago, in 1979. It went to #1 in the UK, but only went to #73 on the US singles chart. But it was played often on college radio stations, where I came to hear it. It was based on actual events in the US, which Geldof was reported to have first heard about while in a radio station for an interview, having read a Telex coming in. The Boomtown Rats performed it at Live Aid, one of the seminal moments of music history, at Wembley Stadium on July 13, 1985. Here is the clip.



While I enjoyed the movie, I was a bit dismayed by the fact Midge Ure, who worked alongside Geldof on the single Do They Know It's Christmastime?, as well as the concert, was virtually erased from history, and as a diehard Midge Ure fan, that made me sad. And not trust what the movie was saying as being factual. But it did make me think of the song, so that is a good thing!

For more information about the Boomtown Rats, check out their official website here.

Billboard Top Holiday Songs - #8

To continue with the Christmas celebrations, here is Band Aid, an group of some of the biggest musical stars in the UK getting together for a charity single, taking the #8 spot on the chart with Do They Know It's Christmas. They released their version of the song in 1984. The effort was spearheaded by Bob Geldof and Midge Ure, who went on to head up the Live Aid concerts.

Christmas Music - Various 80s Stars

Oh, those 80s boys and girls were eager to be politically aware and offer back to the world. British superstars formed a group to sing Do They Know It's Christmas?, a song written by Bob Geldof and Midge Ure. This lead to the creation of Live Aid, the monumental concert held on July 13, 1985. Both efforts raised money to help with the Ethiopian famine. But first, there was Band Aid, and some of the biggest names in British music singing Do They Know It's Christmas?



Wikipedia has an interesting description of the recording process:

Respected producer Trevor Horn was approached by Geldof to produce the song, but he was unavailable. Instead, he gave use of his studio, Sarm West in London, free of charge to the project for 24 hours, which Geldof accepted, assigning Ure as the producer instead. So, on 25 November 1984, the song was recorded and mixed.

Geldof and Ure arrived first at dawn so that Ure could put the recorded backing tracks, put together at his home studio, on to the system at SARM. He also had vocals recorded by both Sting and Simon Le Bon of the song which he had acquired from the artists early in order to provide a guide for the other singers.

The world's media were in attendance as artists began arriving from 9am. Duran Duran, Spandau Ballet, Paul Young, Culture Club (without Boy George, initially), George Michael of Wham!, Kool and the Gang, Sting, Bono and Adam Clayton of U2, Glenn Gregory of Heaven 17 (whom Ure personally ordered down) and his bandmate Martyn Ware, Phil Collins, Paul Weller of the Style Council, Francis Rossi and Rick Parfitt of Status Quo, Jody Watley of Shalamar, Bananarama, Marilyn (who was not invited but arrived anyway) and some of Geldof's bandmates from the Boomtown Rats all arrived. Only one of Ure's Ultravox colleagues, Chris Cross, attended. Geldof, noticing Boy George's non-attendance (despite ringing him up in New York the day before demanding he sing on the record), went back to the phone to get the Culture Club frontman out of bed and on to Concorde.

Ure played the backing track and guide vocals to the artists together, then decided, in a way of getting all involved straightaway, to record the crescendo first, which also allowed the 'team shot' of the day to be photographed. The artists were put in a huge group and sang the 'Feed the world, let them know it's Christmas time' refrain over and over again until it was completed.

Then Ure sought a volunteer to be first into the studio to sing the main body of the song. Eventually Tony Hadley of Spandau Ballet took the plunge, with plenty of rival artists watching him, and sang the song straight through. The other assigned singers then did likewise, with Ure taping their efforts and then making notes as to which bits would be cut into the final recording. Le Bon, despite having already done his bit at Ure's house, re-recorded his so he could be part of the moment. Sting also recorded the words again, this time to provide harmony.

Phil Collins arrived with his entire drum kit and waited until Ure was ready to record him over an electronic drum track that had already been put in place. The song ended up as a mixture of Collins' drums and an African rhythm that opens the song, taken from a sample of The Hurting by Tears for Fears.

Not all went smoothly. Ure stated in his autobiography that he was constantly battling with Geldof, the song's lyricist but not renowned for his melody skills, and telling him to leave when he would come into the production booth and wrongly tell the artist behind the mic what to sing. Ure also had to shelve an attempt by the two members of Status Quo to record the "here's to you" harmonies because Parfitt couldn't hit the note. Rossi afterwards told Ure that Parfitt never sang in the studio, only onstage, and he should have kept him away from the mic. This section was eventually taken on by Weller, Sting and Gregory. However, Quo were able to contribute in other ways, according to the journalist Robin Eggar.[3]:

"Once Status Quo produced their bag of cocaine and the booze started to flow – I brought six bottles of wine from my flat, which disappeared in a minute – it became a party."

Boy George arrived at 6 pm and went straight into the recording booth to deliver his lines. Boy George was rather vocal in his dislike of fellow singer George Michael, some of which is caught on video during the filming of the Band Aid collaboration. While recording harmonies, Boy George openly confused Michael's recorded vocals with the voice of "Alf" (British singer-songwriter Alison Moyet, who did not participate in the charity single). When the engineer correctly identified the voice as that of Michael, Boy George replied, "God, he sounded camp. But then he is." Once Boy George had finished his tracks, Ure had all the vocals he needed and, as the artists began to party and then drifted away, began working on the mix. A B-side, featuring messages from artists who had and hadn't made the recording (including David Bowie, Paul McCartney, all members of Big Country and Holly Johnson from Frankie Goes to Hollywood) was also recorded over the same backing track. Trevor Horn arrived back to his own studio to put this together.

Despite being singers themselves, neither Geldof nor Ure had a solo line on the song, though both took part in the 'Feed the world' crescendo.

Ure worked on the mix through the night and finally completed the task at 8am on the Monday morning. Prior to departing SARM, Geldof recorded a statement: "This record was recorded on the 25th of November 1984. It's now 8am on the 26th. We've been here 24 hours and I think it's time we went home."

The song was quickly dispatched to the pressing plants who had promised to have the single pressed and ready by the Tuesday. A spell of publicity and final legal details followed, then it hit the shops on Thursday 29 November in a sleeve designed by Peter Blake. It went straight to #1.