Showing posts with label jd doyle. Show all posts
Showing posts with label jd doyle. Show all posts

Sunday, February 15, 2015

Valentine 2015 • Ian Shaw • Somewhere Towards Love

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As part of my celebration of Valentine's Day, I am offering up some songs from some of my favorite artists. Here I will include one I have discovered more recently, with the help of my friend J.D. Doyle of Queer Music Heritage. He recognized my love of Jazz music, and told me to check out the music of Welshman Ian Shaw. I am delighted he did. I fell in love, and could not get enough of his music. I must admit to buying several of his albums, including 'Somewhere Towards Love', a wonderful combination of classic songs and original material. I am very fond of the title track, and was doubly impressed to learn it was written by Shaw. His vocal stylings are so strong, and now I could say the same for his writing. This is the recording of Ian Shaw's "Somewhere Towards Love".



I am particularly fond of this album, as you can tell. But I do love them all, so you just need to check him out! To learn more about Ian Shaw, visit his official website. You can also 'like' him on Facebook, and 'follow' him on Twitter. You can download a copy of 'Somewhere Towards Love' from iTunes or Amazon.

Wednesday, December 24, 2014

Von Smith • A Very Postmodern Christmas

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Just yesterday, I got the cutest Facebook message from J.D. Doyle of Queer Music Heritage, wanting to share with me a new music video featuring the adorable and talented Von Smith. It seems Von had teamed up with Scott Bradlee & Postmodern Jukebox on their latest release, 'A Very Postmodern Christmas'. The sounds of the album vary from smooth Jazz to period Jazz to Big Band. There is a delicious Jazz/Pop sound that brings me back to a time when Ella and Nat ruled the airwaves.

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'A Very Postmodern Christmas' was released on December 2, 2014, and featured the talents of Robyn Adele Anderson, Dave Koz, Ashley Stroud, Alex Macdonald, Cristina Gatti, Kate Davis, Miche Braden, and Drue Davis. In this post, I will focus on the talents of Von Smith, the dynamic and vivacious young man just brimming with talent. While "Have Yourself a Merry Little Christmas" might be identified with the late, great Judy Garland, Von does his best to own the song with his unique and thrilling interpretation. This is Scott Bradlee & Postmodern Jukebox with "Have Yourself A Merry Little Christmas", featuring a wonderfully bluesy Von Smith.



Bradlee came up with an interesting and new mash-up that feels oddly right from the start to the finish. I don't believe I have ever heard "Wee Three Kings" and "O Come All Ye Faithful" made into a medley, and never would have suspected it would have worked so well. But somehow, the band and the vocalist make it happen. There is a wonderful Swing touch I just love. And Von Smith gives a spectacular performance. Please enjoy Scott Bradlee & Postmodern Jukebox with "We Three Kings/O Come All Ye Faithful", featuring Von Smith.



Von can also be heard on a frothy Gospel interpretation of "Joy to the World" that is hard not to love. You can purchase 'A Very Postmodern Christmas' from iTunes. To learn more about Von Smith, visit his official website. You can also 'follow' him on Tumblr and Twitter, and 'like' him on Facebook. If you like what you hear, you might like his latest Pop album. You can purchase 'On To Something' from iTunes, CD Baby, and Amazon.

Sunday, October 6, 2013

House Blend • A Musical Collection

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When I heard JD Doyle was working on a musical collection, I couldn't wait to check it out. After all, JD has long been the curator at Queer Music History, documenting and celebrating the music and artists of the LGBT community. Long before I became friends with JD, I was checking out the site, and listening to his radio shows and podcasts, discovering new and remarkable talents for my own collection. Now that I have gotten to know JD, it is no different, for I still not only enjoy his work, I also learn from it, and continue to expand my music library. So hearing he was producing an e-album, I was excited to learn more about it. I was also thrilled when JD agreed to answer a few of my questions about 'House Blend', a benefit CD for the New Building Fund of the Houston Transgender Center & Archives that features Transgender artists and songs.

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As I mentioned, I was excited to get the opportunity to ask JD a few questions about the project. I will also play a few of the songs, just to give you a taste of the great music offered by the collection. Right off the bat, I wanted to know what inspired JD to take on the project for the Transgender Foundation of America?

JD: In Houston the Trans community is well-organized and consists of several groups, and each Spring a Unity Banquet is held. I attended that in April and heard them announce the new Building Fund. While I love their current facility, it is obvious it is too small and they need more space for meeting areas and their wonderful Trans archives. That night after the banquet I got the idea for this project to help them. I love playing the music of Trans artists on my shows and giving them the exposure they just do not get. So in my show's history I've done 14 editions devoted especially to these artists, totaling about 30 hours...if anyone knows what music is out there, well, I do. The CD name of course comes from it being a fundraiser for a house and it's a blend of music genres. They gave away the coffee cups shown on the cover at the banquet.

Did you approach the artists, or did they find you?

JD: This was a dream project, and I got to pick the cream of the cream of the music I have loved over the years. And I pretty much got every song I requested, so, I contacted them...no one would have known of the project unless I reached out to them. The intent originally was about 15 tracks, but I've little discipline when picking good music, so the final count is 21 tracks. The only, and very minor, limitation I faced is that with a project like this, and copyright laws, you cannot include cover versions of songs. It would take too long to get the rights from whoever owns them. So these are all originals, and that better reflects their creativity.



That was The Shondes singing "The Garden", the title cut off the album released just last month. I love the song. But now back to the topic at hand, JD and 'Houseblend'. What did you want to accomplish with the music?

JD: I had kind of a musical vision that is hard to describe, as far as the "sound" is considered, and I like lots of genres. But I've always been biased to music where the lyrics deal with our community, and in this case talk about Trans and gender issues. In hindsight the overall sound rocks a bit more than I thought it would, which is a good thing.

Are all the artists transgender?

JD: Most of the artists are transgender, although that was not a ruling criteria, but they are all LGBT. There are several lesbian and gay acts whose songs about Trans issues I found delightful or of educational importance, such as the tracks by Kate Reid, Jeff Heiskell, Tim'm T West, and the Kinsey Sicks. New York City pop/dance star Ari Gold, who I've known many years, was very pleased to contribute a track, and I asked for the one with guest vocals by drag performer Peppermint, and Trans singer Mila Jam. Of course I hope this CD's audience is more than just those loving transgender artists; this is good music for anyone.



That, of course, was Sir Ari Gold singing "If I Steal Your Boyfriend" featuring Peppermint and Mila Jam. The song was featured on Gold's amazing 2011 album, 'Between The Spirit & the Flesh'. But back to JD and the collection. Is this the first transgender artist compilation?

JD: Actually, no, it is the fourth. Between 2005 and 2010 there were three others, now very much out of print, with small distribution, and nearly impossible to find. They had different visions and naturally I think this one is the best yet. Many of the artists were delighted to be included and told me they were honored to be a part of it. Most of the tracks are recent, but for several I reached back a ways, as I wanted the best past and present. I was honored to be able to start off the CD with trailblazer Jayne County. For several of the older tracks I think the artists were surprised I wanted the songs, but I was able to persuade them their song needed be part of this history.

How much of the money will be going the TFA?

JD: All money will go to TFA. I want nothing for doing the producing work and had some incidental costs I will consider my own gift to them. Despite doing radio for 14 years I had never produced a CD, so this was a fun and learning experience. The learning part was one reason we are keeping the project to digital only, at least for the near future.



That was Tim'm T. West with "Male" featuring Sun Rae. The song is available on Tim'm latest album, 'Snapshots: The He​-​Art and Experience of Tim'm T. West'. To purchase 'House Blend', visit the BandCamp page. For more about JD Doyle and the Queer Music Heritage, you can visit the official website. You can also find them on Facebook.

Wednesday, August 21, 2013

Sam Dickinson • The Stories That Occurred

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Well, chalk up another one for J.D. Doyle. He posted about an out an proud musician from the UK on his Queer Music Heritage site, and when I asked about him, he spoke so glowingly, I got excited. So I went to iTunes, and pre-ordered his new CD, and then got to wait. When I finally had notice that Sam Dickinson's album 'The Stories That Occurred' was available to download, I couldn't wait, and gave a listen right away. Suffice it to say the album surpassed my already high expectations, and I have a new British boyfriend. And a handsome one, at that! At least I should, as much as I listen to him singing now. He has a great sound, harkening back to the soul music of the 1960s and 1970s, with some sexy brass sections adding some depth. But Dickinson's voice is so crisp and true, and never rests on retro-sounds, keeping the feel of the vocals very fresh and new.

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So 'The Stories That Occurred' was released July 22, 2013, and I have been loving it since. There is such joy, such exuberance in the music, I swear, even as I sit alone and listen, I soon find myself pumping my fist to the beat, and singing alone with Dickinson. It happens from the start, on "How It Used to Be". There is a wonderful energy, and much of it is channeled into Dickinson's bold vocals, which could power all of England! The soulful sound, inspired more by Otis Redding than anyone else, wraps your ears in warm comfort, getting you ready to dance. In fact, if Redding and Lulu had a musical child, his name would be Sam Dickinson. The next track, "Away From Me" doesn't offer a break from the energy and joy. Dickinson's high-octane performance continues on "Learn to Wait", an early favorite of mine. It also happens to be the first music video, so get ready for the power that his Sam Dickinson.



So now you get it, right? On "When You Left Me", the Rock 'N Roll influence is loud and clear, and is a wonderful fit with Dickinson's voice. How he manages to combine the power and hurt is beyond me, but I have to admit I love it so much. And the last 30 seconds of the song gives me goosebumps. That is followed by the first ballad of the collection, the beautiful "Mistake Again". There is a wonderful softness to Dickinson's vocals in the verse, allowing us in to his heart. I hope you enjoy this live acoustic version of "Mistake Again" I found on his SoundCloud page.



While we have turned down the lights, Dickinson offers up another ballad, the ethereal "A Million Miles". There is a real element of the modern day torch song here, even though Dickinson imbues the song with a bold defiance while talking about the power in "one small kiss". On the next track, I swear that Sam found his inner Gloria Gaynor, for the bold bravado of "Don't Come Running Back" soars with a clenched fist punching at the air. Soon were are being greeted by "I've Gone, I've Quit", another track filled with chest-thumping warnings of a broken heart. On "Lift Your Head", there is a true melancholy that is palpable. The honesty in the hurt here is something special. From the first few seconds of "Our Day", I new this was another stunning ballad. For a treat, check out this live version of "Our Day" recorded at Hoochie Coochie in Sam's hometown of Newcastle Upon Tyne, the home of hard Funk, solid Soul and cool Jazz.



There is a wonderful vulnerability to this, and so many of the songs on the album. There is not a single track I don't love on this album. The only problem I see is that the Newcastle boy won't be playing in my area anytime soon. I can't imagine what a great night it must be to see this man performing live. But luckily, I have this album, brimming with Rock, Soul, and love that keeps me playing it again and again. You can purchase 'The Stories That Occurred' from iTunes, Amazon, and other online music stores. To learn more about Sam Dickinson, visit his official website. You can also 'follow' him on Twitter, and 'like' him on Facebook.

Friday, May 3, 2013

Date Night • The Language of Love

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Tonight I bring you a beautiful short film written and starring Kim Ho, 'The Language of Love'. I first discovered this jewel via my friend J.D. Doyle, founder and curator of Queer Music Heritage. There is something so sweet, so honest, and so familiar to the story, I can't stop watching it. It details the rough terrain of young love, and how trying to navigate it while figuring out you are gay in a straight world doesn't make it easier. But somehow, in the end, we must all learn how to speak the language that is honest and true to ourselves. Enjoy 'The Language of Love'.



For more about this Australian film, check out the 'Making of...' video below. It includes an interview with the writer/actor, Kim Ho. He gives some background information that is fascination.



You can also learn more about the process that helped to make it here. There is some wonderful information about the history of the film.

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