Tuesday, April 27, 2010

Tonight The Twain Shall Meet

This post was originally written for Rickey.Org.

It is Shania Twain night on Idol, featuring the music of the guest mentor stopping by to offer advice to the contestants as they sing songs she has written and performed. Paint salesman, high school student, glass blower, mother, father, and construction worker. That is how Crusty describes the lives of the remaining contestants, saying they will be changed forever. Well, that remains to be seen, Crusty, cause it is not like Idol has made 42 stars of the first 8 Top six, have they? While they were household names for the weeks they were on the show, and even extending to their perspective tours, since then, there are several who have been long forgotten. Sure, Idol gives them a chance, but it becomes up to the kids if they can take advantage of the opportunity.

Shania remembers Lee from the Chicago auditions, and he is singing You're Still The One, She convinces him to hold back on the guitar, and open the song simply with just voice and piano. Wow, that was a rough start, vocally. When he tries to reach for notes without screaming, he often misses, landing flat. The audience is loving what he does with the song, and Randy admits to him being pitchy at the beginning, but pulled it together. Ellen doesn't care about the pitchy, she loved it. Kara noticed him smiling, and feels that means he understood it was a love song. Huh. Simon tries to mention some odd facial expressions, but Kara won't let him speak. Big Mike steps up to the plate, stinging It Only Hurts When I'm Breathing. Shania loves this song, and tells him to really feel it. He changes it up, taking it to an R&B ballad, taking the falsetto a little oddly, but starts sounding a bit rehearsed by the end. The judges, however, don't see it that way, thinking he totally connected and brought Luther Vandross to the stage. Simon thought it was a little 'wet', what I interpret as a bit overdone and dewey-eyed.

Casey takes his turn, singing Don't. Casey is excited about singing a song, realizing he let his guitar take over recent performances. Shania senses a lack of confidence, but thinks he can do it. Wow, I think Casey is nailing this. This is particularly good. That was really fantastic. The judges are thinking it is his best to date, and Simon makes him give Shania a kiss. She tells him he nailed it, she is so proud. Crystal is stiffing on stage in a cute dress chatting with Crusty. She says No One Needs To Know Right Now is a message to her boyfriend. Shania tells her to lighten up, it is a happy song. That was a funny moment. Crystal is singing rather well, but it goes a big odd in the middle. The falsetto isn't great, and there is a weird stop/stop thing happening. She pulls it back down by the end, and gets the falsetto under control. The judges love her, it is not her best, but they adore everything she does. Simon didn't like it, felt Crystal lacked conviction, and felt the song was forgettable. They point out Crystal's boyfriend, and make Crystal blush.

Of course Aaron would take on the big song, It's In The Way You Love Me, and Shania immediately notices he is preoccupied, and to just let go. Wow, another one who wonders off the rails a bit, struggling with the flat side of notes, but hits the big note at the end. The judges are all very nice to him, seemingly oblivious to the first half of the song. Interesting. Siobhan goes for Shania's big hit, Any Man Of Mine, a perfect choice for her. Wow, this is not as good as I thought it would be. Siobhan is a little out of breath, but ends with the hallmark big finish, and I am surprised. Thought it was good, but that it could have been great. The judges love it, but Simon thought the 'scream' sounded like she was giving birth.

Crusty wraps it up, and cuts to the recap video. He thanks the judges, the band, and Shania. For the results show, they have Rascal Flats, Lady Antebellum, and a few more acts, including Shakira. Wow. My favorite performance of the night was Casey, and my least favorite was Lee. I, however, expect that to mean nothing. I would not be surprised to see Aaron and Michael in bottom two. It is a gut reaction, and I could be totally wrong. What do you think?

ROCKFACE - Derek & the Darling - Buy It!

derek and the darling,rock face,cover

Come on, we all do it. The sound of a plaintive guitar wails on the radio, Richie Sambora from just about any 'it's all the girls fault' songs from the 8os or 90s, when you hear the first strums from the amazing fingers of The Edge, or hear the first chords from any of those great Janet songs from Rhythm Nation, or even when you heard the songs from the first Daughtry album. You almost feel the muscles in your face tighten involuntarily, your lips and teeth part as you just out your jaw, you turn your head to the side, and it starts to keep time with the beat, bobbing back and forth. That, my friends, is the start of you making your very own ROCKFACE. Add a whole bunch of talent, good looks and a touch of humor, and you see how Derek Nicoletto and Sammi Garett make their ROCKFACE.



Or you can buy their debut EP, which starts off with the amazing Hustler With A Rescue Plan. As you can tell from the video, it is all kinds of hooky and catchy, sounding like something that should be playing on my radio in a regular rotation. The second track is You, a rock song with anthemic overtones, only pulled back by the personal nature of the song. Sammi sings the lead on this one. Track number three throws me off, in a fantastic way. Suddenly is a synth-based song, tugging memories of Yaz at their height, yet maintains a current sound and feel, more homage than reproduction. Next on the list is Lucky Lola, an interesting melange of styles, incorporating classic rock, a bit of Pop with R&B stylings, and a strong portion of alternative rock catered by the strong vocals from Sammi. Alabaster Sky is the final cut, with Derek singing an acoustic lullaby, and about halfway through, the strings kick in, offering further testament to a greater level of Pop music, lifting a strong song to greatness.

derek and the darling,rock face,sammi garett,derek nicoletto

All in all, I can't tell you how much I love this EP. I knew I loved Derek's voice as a rock singer - his vocals in Telling On Trixie were amazing - and wasn't sure about him in a new project. Well, those worries were nothing more than wasted energy. He is, of course, fantastic, and the incorporation of Sammi's voice often borders on genius. While the tonality of their voices is very different, they blend so well together. So I say run, don't walk, or at least click away, and get ROCKFACE from iTunes here. Buy it now!

Monday, April 26, 2010

Dark Monday - Seth's Broadway Chatterbox With Ace Young

seth rudetsky,chatterbox,broadway,ace young

Seems Ace Young has been a busy boy while working in his second Broadway show in 18 months. First, he appears on Seth's Broadway Chatterbox, a weekly radio show/web video featuring Seth Rudetsky, one of the brightest and funniest minds commenting on Broadway these days. The video is from BroadwayWorld.com, one of the more interesting and informative theater sites on the web. Ace, currently playing Berger in Hair at the Al Hirschfeld theater, stopped by to talk to Rudetsky, who does his broadcast from Don't Tell Mama, a piano bar in the theater district. I remember going there in the 80s, when it would have some of the more talented and interesting cabaret shows in the city.

seth rudetsky,chatterbox,broadway,ace young

Ace talks about his background, from growing up in Boulder, Colorado, to living in Los Angeles, the American Idol experience, to auditioning for his current role in Hair. Now that BroadwayWorld is posting the interviews, I hope to bring Seth to the blog more often. He is insightful and so funny.



Young also took the time to pose with some eco-friendly products, totally in keeping with the organic life of Hair. The spread appeared in Time Out magazine.

seth rudetsky,chatterbox,broadway,ace young
seth rudetsky,chatterbox,broadway,ace young seth rudetsky,chatterbox,broadway,ace young seth rudetsky,chatterbox,broadway,ace young seth rudetsky,chatterbox,broadway,ace young

To check out Ace Young's non-theater music, visit his website here. I will admit I am a fan of Ace, and have seen him on several occasions. I hope to make it to see him in Hair, where is is rumored to be signed on to get naked 8-times a week through October.

Happy Birthday Behr!


Happy Birthday, my dear Behr!

I thought the best way to honor the day is with a song, and even if you didn't love the song, you'd love the video! But I hope you enjoy both.

For Behr, Colton Ford singing The Way You Love Me, The Blue Door Edit.

Worth Another Listen - Paula Cole

paula cole,90s
paula cole,90s

When the WB ruled the television of the teenagers, the soundtrack from those shows was ruling the radio. One of those shows was Dawson's Creek, with a future Mrs Tom Cruise in the cast as well as several young actors who continue to be a presence in television and movies today, told the tale of high school kids from Cape Cod and their journey to maturity. The theme song was from a bright new talent on the singer/songwriter front, Paula Cole. She was best known for her moody acoustic folk, with an atmospheric quality. The show debuted in 1998, A year after Cole had her first hit on the radio, Where Have All The Cowboys Gone.



From 1998 to 2003, Cole scored the credits for Dawson's Creek, her haunting vocals underscoring the teen longing that was the basis for the show. The song was I Don't Want To Wait.



Cole has released four studio albums, the small label Harbinger in 1994, 1996's This Fire, featuring the above hits, and Amen in 1999. In 1998, she won the Grammy Award for Best New Artist. Cole took time away from the industry, to have and raise her daughter. She moved to the Columbia label, and released Courage in 2007, and there is rumored to new album this year. For more on Paula Cole, check out her official website here.

Sunday, April 25, 2010

Sunday Night with Anthony Callea

anthony callea,whitney houston tour,2010
anthony callea,whitney houston tour,2010

In March, Anthony Callea opened for Whitney Houston for the Australian leg of her world tour. Reports were flying left and right about the issues with Ms. Houston's performance, from fans who were highly disappointed to those who thought she did well. What never varied were the reviews for Anthony's performance, which were steadfastly excellent. I am not a bit surprised, for Anthony has never failed to impress me in the fan videos of his concerts, or the DVD I purchased. I happened across some videos of Anthony from the tour, singing a few new songs, possibly from a new album, due out later this year.

My All



I'll Be The One



Can You Feel It



Just a warning to Australian and US postal workers - when it is available, I will be buying the album, so please hurry that shipment along, OK? And Sony, how about sharing the love, and letting Anthony's music hit the US airwaves? And maybe, just maybe, perform a couple of shows in North America? And, if you really wanna be brave, have him do a show or two with another of the Sony clients, Theo Tams, and make this man damn near giddy. Sure, I understand Sony Australia is separate from Sony US and Sony Canada, but it really isn't, right? I know I won't be the only one who would appreciate it. For more on Anthony Callea, check out his official website here.

Saturday, April 24, 2010

Saturday Rocks - American Music Club

american music club

I innocently made a smart-ass comment on my friend James Graham's FaceBook page - cause that is what I do best - and the next thing you know, James, a photographer, and I were emailing and then on the phone, chatting about music. He was regaling me with tales of American Music Club, one of his favorite bands. According to James, a very pretty str8 boy, the lead singer, Mark Eitzel, would hit on him all the time. Eitzel, it would be fair to say, is an out and proud man, apparently with a penchant for hitting on pretty men. Who can blame him?

american music club

Before I got distracted by my own story, I was talking about chatting with James, an amazingly talented photographer soon to be releasing the first book of his photographs, first via FaceBook, then by email, and finally, on the phone. It started with a FB quote by James from Pink Floyd's Roger Waters referring to Vera Lynn, which I misread as Vera Ellen, and the conversation moved is the usual odd way with me and James, involving emailed pictures, and as the conversation moved to music, we ended up discussing American Music Club, one of James' favorite bands. Yes, following our train of though can be a confusing and confounding thing. I remembered them, but couldn't find any music, so James shared some with me. I think I had Everclear album, and specifically remembered the single Rise. The band was together from 1982 to 1994, but then reunited in 2003. The music was this amalgam of pre-EMO, post-Punk, post-New Wave, pre-Grunge rock that was, and still is, fairly amazing. It maintains a moodiness and presents such strong atmospherics, it just pulls me in every time. Eitzel was the driving force behind the San Francisco-based band, as well as guitarist Vudi, whose wonderful work always stamped the work with his handiwork.

american music club

The band released nine album, from 1985's The Restless Stranger, to 2008's The Golden Age. To be honest, I am not familiar with the last two albums, as I hadn't realized they reunited until James told me. But part of our discussion was about the amazing work the band did in the 80s and 90s, and how the seeming sullenness of Eitzel inspired such great music, and elevated him to the likes of an American Morrissey, which was meant as a high compliment from both James and myself. Eitzel's lyrics can be so disarmingly probing, poetry that can cause you to startle, they hit so close to home. Rather than blather on too much more, here are a selection of their songs, so go ahead, and give a listen.

1987 Outside This Bar


1991 Rise


1993 Gratitude Walks


2008 All The Lost Souls Welcome You To San Francisco


It is funny, but I am listening to Everclear as I write this. For an album released almost 19 years ago, it certainly maintains a connection to my soul, and sounds fresh and not the slightest bit dated. Hope you enjoyed the music, but if not, I certainly know James and I did. You can find more about American Music Club at their official website here. James has a blog, you can read it here. Don't bother asking him questions about me, I am sure he will lie, and make me sound much more interesting than I am. He is sweet that way. He's from the south.

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