Showing posts with label anything goes. Show all posts
Showing posts with label anything goes. Show all posts

Tuesday, March 11, 2014

Happy Birthday, John Barrowman!

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On this day in 1967, the world was given an exceptional performer, and an amazing man. John Barrowman was born in Glasgow, Scotland, but the family moved to Illinois when he was 8 years old, where he eventually became a naturalized citizen, and still maintains a dual citizenship with the US and Great Britain. I've had a crush on John Barrowman for a long time, and all I can say is that it seems to get stronger as time goes on. I first remember hearing about a new tenor on stage, information I enjoyed as a musical theater geek. He had gotten stellar reviews for his role in Cole Porter's 'Anything Goes' on London's West End, the first of many. I first knew of him when he was one of the stars in 'Putting It Together', a musical review featuring music from several Stephen Sonheim shows. It also starred Carol Burnett, George Hearn, Ruthie Henshall, and Bronson Pinchot. I have the DVD. Handsome, with a great voice, I knew I was a fan for life after that.

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I was also thrilled to hear not only was Barrowman and out and proud gay man, he was also willing to be a man who stood up for himself and others as an activist pushing for equality. John has been happily partnered with husband Scott Gill, who also happens to be gorgeous as well. I say partnered, for they entered into a civil partnership in December 2006, as marrying wasn't available to them. He has been open and honest about his sexuality, making it easier for those who come after him. He has not let anything stand in the way of doing a great job, whether it be on stage, screen, or album. And speaking of music, in 2008 he had a great album named 'Music Music Music', a combination of new material and cover songs. One of the new songs was "What About Us?", written by Gary Barlow and Chris Raide. It is a wonderful song, but the music video was quite amazing, featuring both same sex and opposite sex couples. This is the official music video for John Barrowman's ""What About Us?".

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When I heard about Barowman's performance on a British game show named 'Never Mind the Buzzcocks', I had to search it out. Luckily, many of the episodes can be found on YouTube, and it not only made me laugh often, it also introduced me to a new favorite, comedian/actor/host Simon Amstell. Amstell, perhaps best known as a stand up comedian, is also an out gay man, and the two had a hysterical exchange on the program. It was so good, I had to check out Amstell, and I know have a DVD, 'Do Nothing', as well as watched his very funny TV show, 'Grandma's House'. But this clip also made me literally laugh out loud as the do men did their thing on the BBC. This is Simon Amstell and John Barrowman in a 'gay off' on 'Never Mind the Buzzcocks'.

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One of the cover songs that were a part of 'Music Music Music' was a song from the musical 'Chess', with lyrics by Tim Rice, and music by Benny Andersson and Björn Ulvaeus, best known for their work in ABBA. The song is sung in the show by a chess master's wife and his mistress, and the struggle relationships can be. John included it on the album, and kept the duet by inviting another handsome and talented man to join him, Daniel Boys. I had discovered Daniel on the BBC program 'Any Dream Will Do', which I watched to see Barrowman, who was a judge/mentor as the show searched for the new leading man in Andrew Lloyd Webber's production of 'Joseph & the Amazing Technicolor Dreamcoat'. Daniel has been featured several times on this blog, and I owe it all to Mr Barrowman once again. When John went on tour, he often sang the song, and had Daniel join him. This is a clip of John Barrowman and Daniel Boys singing "I Know Him So Well" at the 2008 Faenol Festival.




I have followed John career, including his wonderful time on 'Doctor Who', as well as the exceptional spin-off, 'Torchwood'. His work as the omni-sexual Captain Jack was glorious. His stint on the recent hit 'Arrow' made me realize how much I loved having him on my television screen. As part of a 'Torchwood' DVD, the producers included a clip of John singing "Anything Goes", a song by Cole Porter from the musical of the same name. There is John, looking all handsome in his Captain Jack finery, and singing a song he knew well from his first hit on London's West End. It is impossible to resist him, but then again, I find it always is. This is John Barrowman singing "Anything Goes" from the 'Torchwood' DVD.



For more about John Barrowman, you can visit his official website. You can also 'follow' him on Twitter, and 'like' him on Facebook. You can't find 'Music Music Music' in the United States - I guess there are song rights issues. However, you can find one of my very favorite albums from John, 'John Barrowman Swings Cole Porter', on iTunes and Amazon. You can also find 'Tonight's the Night: The Very Best of John Barrowman' avaialbe as an import CD on Amazon.

Monday, April 29, 2013

Dark Monday • Blow Gabriel Blow

Patti LuPone in Anything Goes 1987 photo AnythingGoes_cover_zps3c659084.jpg
Patti LuPone in Anything Goes 1987 photo AnythingGoesPatti001_zps9eadfaf0.jpg Patti LuPone in Anything Goes 1987 photo anythinggoesPatti002_zps7fc4a7e8.jpg

The magnificent Patti LuPone starred as Reno Sweeney in the 1987 revival of Cole Porter's sassy 'Anything Goes'. The show featured many of Cole Porter's iconic songs that LuPone sang eight nights a week in the Vivian Beaumont Theater. The revival opted to go in a slightly new direction, employing a swing band to sound more like Benny Goodman than Broadway musical. And it is impossible to go wrong with Patti LuPone in the lead, allowing her to put her own special twist on some classic songs. One of those was the glorious "Blow, Gabriel, Glow", which brought down the house in the second act each and every night. Enjoy this clip of Patti singing it at a 1988 performance at the White House, with the U.S. Marine Band.



But to give you a chance to see Patti dressed as Reno Sweeney and putting down a great performance, here is a clip of her singing "Anything Goes" at the 1988 Tony Awards ceremony, the song that brings down the first Act with a bang!



You can purchase the 1987 Broadway Revival Cast album on iTunes and Amazon.

Thursday, September 22, 2011

GLEE Redux - The Purple Piano Project

Glee Season 3
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Honestly, I missed the Season 3 Premiere as I was at a high school soccer match, but just finished watching it, and thought I'd continue to do my coverage of the show, in my own special way. I use the original artists when possible of the songs from the show, but in relationship to the GLEE storyline. Hope you enjoy.

The show opens with intrepid reporter/blogger Jacob Ben Israel vlogging with a vengeance, hitting the kids one by one to establish who are seniors and who are not, and that while Sam and Mercedes dated, he is gone now. It has Finn questioning himself and his future, until a rainbow slushie-facial brings him back to life as a gleek.

We also see Mr. Shuester waking up with Miss Pillsbury, and the inherent sexual tension/frustration in that relationship. Sue is running for political office, and looking for a sure-fire policy to garner votes. Lauren Zizes has dropped Puck and Glee club, cause both were hurting her 'cool factor.' Kurt tries to convince Blaine to join him at McKinley High, cause he misses his boy-toy. Quinn is MIA, only to be found with pink hair, a nose ring and a cigarette firmly in hand, a member of the Skanks. Quinn rebuffs attempts by Santana, Brittany and Rachel to return to Glee.

Mr. Shue gets a donation of some pianos, which he promptly paints purple and plans to place around the school to get the kids singing, and drumming up auditions for the three spots left vacant by Zizes, Quinn, and Sam. Sue is not impressed, and attacks a piano played by Mike & Tina, and insults the kids as well. This inspires her in her political life, and she takes a stand to eliminate all Arts programs in public schools. Mr. Shue is infuriated by Sue's stance. He plans to fight her, and she wants none of it, if it should interfere with her campaign.

The kids are afraid to play the piano in the lunch room, until Finn and Rachel talk them into getting up to sing The Go-Gos' We Got The Beat.



After the joyous performance, a food fight kicks off, and spaghetti flies. The kids are dejected, realizing that failure at the national championships last year has weakened their fragile positions at the school. While they are cleaning up the mess, Sugar Motta, whose daddy donated the pianos, comes in to audition for Glee, saying she was inspired because she was so much better than the kids. She sings Hey Big Spender from the music Sweet Charity.



Not surprisingly, she is terrible. Shue wants to honor the policy that all who apply are in Glee, but the kids want none of it. They have winning on their mins, and she won't make that happen. Shue has lunch with the amazing Coach Beiste, who offers to rough up Sue for him. Shue realizes he has to fight this one himself. "If Sue wants to declare war on the Arts, then General Shuester is about to launch a counter-offensive." Miss Pillsbury is turned on!

Rachel and Kurt, with plans to move to New York and pursue careers in musical theater, get together to prepare for a 'mixer' for a respected Musical Theater school that is nearby. They sing a nice jazz version of Ding-Dong, The Witch Is Dead from The Wizard of Oz.



Cheerio Co-captains Santana and Becky assist Sue at auditions for the cheering squad. Shue and Miss Pillbury show up, and he Glitterbombs Sue while Emma videos it before they take off. Blaine stops by to see Kurt, and soon announces he is transferring to McKinley to be with the man he loves. He sings a very special and sexy version of It's Not Unusual by Tom Jones.



While Santana and cheerleaders dance with Blaine, they are spraying lighter fluid on the piano. As the song ends, Quinn tosses a cigarette on the piano, and it bursts into flames. Kurt and Rachel go to the NYADA mixer, and discover a room full of, well, themselves. Divas and Gay boys explode on them, and are soon performing a number, Anything Goes from the Cole Porter musical, complete with dancing.



The duo are devastated, and are crying in the car in the parking lot. Finally, Kurt shakes himself off and brings Rachel out of her misery. She smiles, and makes him smile too. They will help one another get into NYADA.

Shue is dreading telling Sugar Motta she wasn't a good singer, and can't be in Glee. Miss Pillbury offers her thoughts, including how his strength is making her hot! He tells Sugar, and Sue catches up with him, to say the video of the glitter-bombing added 7 points to her campaign. He goes to Glee, and Blaine joins the group. Finn is upset, cause he thinks Blaine set the piano on fire, but Santana points out it was her and the Cheerios who did that. Shue says it is true, and kicks her out of Glee, and tells her not to come back until she can be loyal to the group. She leaves. Mr. Shue tells the kids he needs their loyalty for them to win Nationals. Rachel announces they will mount a production of West Side Story, and Kurt is running for class president. And like the pianos, who are beaten and worn, the kids might be bruised, but they can still make beautiful music. Rachel gets up to sing You Can't Stop The Beat from Hairspray!: The Musical and is soon joined by all the kids.



Till next week...

Monday, August 22, 2011

Dark Monday • Ethel Merman

Ethel Merman

For many people, the voice of Ethel Merman was the definitive Broadway belter. Certainly, once you've heard her, you never forgot her, and realized there was no one else like her. And once she left us in 1984, we quickly came to the realization there would be no more like her. She was unique, a truly special individual talent. She was a box office tour de force, starring in show after show that were no only successes, they became some of the standout shows of the 20th century. With starring roles in such vehicles as Girl Crazy, Anything Goes, Annie Get Your Gun, Call Me Madame, There's No Business Like Show Business, Gypsy and Hello Dolly, how could she be looked upon as anything short of legendary.

Ethel Merman

In 1979, Merman appeared in a television special focusing on Broadway. Merman was 71 at the time, yet still performs with such gusto and bravado, you can't help but want to leap to your feet as she is finishing. She sings Anything Goes, after being introduced by Sylvia Fine Kaye, composer and wife of star Danny Kaye.



The song is from the 1936 film Anything Goes, which featured music and lyrics by the amazing Cole Porter. Merman starred in the Broadway premier in 1934, and later in the 1936 Hollywood film. This is a song from the show, using a clip from the film. This is You're The Top with a very young Frank Sinatra.



Few could ever try to compete with her performance as Mama Rose in Gypsy. With music by Jule Styne and lyrics by Stephen Sondheim, a book by Arthur Laurents, and directed by Jerome Robbins, the highly anticipated musical based on the memoirs of stripper/burlesque queen Gypsy Rose Lee. Merman's performance was memorable, and lauded by the critics. Here she is on a television special singing Everything's Coming Up Roses. The special was in 1982, and was one of the past times she sang in public.



In a side note, I have to point out I have seen countless drag queens performing as 'The Merm,' which only added to my love for her. And I hope that continues!

Sunday, February 6, 2011

Sunday Morning with John Barrowman

John Barrowman
John Barrowman
John Barrowman

He can sing, he can act, and he looks damn good in and out of his clothes, so what could be better waking up on a lazy Sunday morning to the lush sound of Barrowman singing to you? I agree, that sounds about as good as it gets. Check out John singing Anything Goes on the set of Torchwood, and tell me it doesn't give you ideas...



John also had an album out called John Barrowman Swings Cole Porter, and it is a total delight. Barrowman has the voice, the charm, and the sense of humor to deliver the songs exactly as needed. Check out You'd Be So Nice To Come Home To.



He also does a magnificent job with After You, Who?, keeping it swinging and filled with charm.



So, wouldn't you love to be waking up to Barrowman singing to you today? His partner, Scott, is a very lucky man.

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