Showing posts with label jazz. Show all posts
Showing posts with label jazz. Show all posts

Saturday, March 28, 2015

Sarah Jane Morris • Cry

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I have been a fan of Sarah Jane Morris since she sang with Jimmy Somerville as part of one of my favorite bands, the Communards. The deep richness of her voice was a perfect blend with the bold strength of Jimmy, I loss track of her after Communards dissolved, but once I found her again, I was hooked all over again. Her voice is so distinctive, and her style so smooth, it is no wonder she went on to record a variety of musical genres. I think my favorite might be her Jazz recordings, of which there are many. I love to listen to her feel the song, and share it with us all. This is Sarah Jane Morris with a favorite of mine, "Cry".



"Cry" is from Sarah's album 'Heaven', which is unfortunately not available in the United States, unless you get it as an import. To learn more about Sarah Jane Morris, visit her official website. You can also 'follow' her on Twitter, and 'like' her on Facebook. Soon, Morris will have new music coming out, and I can't wait to get it! In fact, I have already pre-ordered it. You can order the 'Men Just Wanna Have Fun EP' for yourself on iTunes and Amazon.

Sunday, October 19, 2014

Micah Barnes • New York Story

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I was introduced to Micah Barnes by JD Doyle of Queer Music Heritage. You see, JD and I share music we like with one another all the time, and she sent me a link to the music video for "New York Story", and I just fell in love. And I learned I did know Micah previously, as he was a part of the Toronto-based a cappella group The Nylons in the 1990s. In fact, I had just featured their music yesterday morning, and it reminded e I had been thinking about posting this for a while now. As you can see from the pictures above and below, Micah is a handsome man. Micah is also an out and proud performer, one I plan on supporting whenever I can. As I plan to be heading to New York City to see the amazing David Raleigh perform, I wanted to include "New York Story" in my preparations.

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While he was a part of The Nylons, Micah used that wonderful instrument to take on Doo-Wop and stylized Pop with ease. Now on his own, he seems to have moved more to the Jazz side, as you can hear in this single. I love "New York Story", which manages to be both light and smokey at the same time. It is with that same deft hand the song manages to sound like it comes from another era, yet also sounds fresh. His voice has a lovely tone, with a yummy husky edge. This is "New York Story" by Micah Barnes.



Soon Micah will be releasing a full album, 'New York Story'. From the advance copy I heard on Soundcloud, it is an eclectic eleven-song collection, new material save the title track, which was released as a single earlier this year. I must admit I haven't given the full release a couple of listens yet, but I do look forward to doing just that. The taste I have gotten so far is only leaving me wanting more. Take, for example, "After The Romance, The Rent", a wonderful song about love, life, written with just the right amount of humor. Please enjoy "After The Romance, The Rent" as much as I do.



You can purchase the single "New York Story" from iTunes and Amazon. To learn more about Micah Barnes, visit his official website. You can also 'like' him on Facebook, and 'follow' him on Twitter. As soon as the album is released, I will be sure to let you know. Until then, enjoy the single, "New York Story".

Tuesday, May 6, 2014

Brett Gleason • Full-Length Debut

Brett Gleason - Imposter video photo Brett_Gleason_Imposter002_zps98a175b1.jpg

What an exciting time today. You can now purchase 'Brett Gleason' by Mr. Gleason, the rockin' New Yorker. I am truly excited to share it with you, for I will admit I've had it for a bit. I had so much faith in Brett, I was a part of his Kickstarter crowdfunding project, and I am happy to tell you my investment paid off. You see, not only is Brett a handsome young man, he is also a talented musician with something to say. I have enjoyed his EPs, and I have also been impressed by his articles on Huffington Post. There is much to admire about this man.

Brett Gleason album cover photo BrettGleasonBrettGleasonCOVER_zps8cbd70e7.jpg
Brett Gleason - Imposter photo Brett_Imposter001_zps8a57b5d3.jpg Brett Gleason - Calculated photo Brett_Calculated002_zps51f7d647.jpg

'Brett Gleason' a combination of Brett's two EPs, 2010's 'Dissonance' and 2012's 'The Thawing'. For both those collections, Brett recorded the songs he wrote, playing all instruments and laying down the songs in his home studio, much like demo tracks. With the eponymous album, Brett has gone into a professional studio with a producer, giving the songs new life and new sounds. There is a new richness to the songs, as can be heard on the first track, "The Worst Part". Originally found on 'Dissonance', the new recording has added depth and strength. I talked about the first official music video shot for the album last week, and you can find the post for "Imposter" here. Earlier, Brett had released the music video for "Calculated" with the new track. You can listen to the track on this music video.



"Destruction" was the lead cut off 'The Thawing', and I enjoyed it greatly, But with the re-imagining, I think there is a stronger feel, and a greater crispness that serves the song well. I must admit, when I saw the music video for "I Am Not", I knew I was hooked on Brett's music for life. There is a wonderful honesty to it, as well as the exquisite musical progression that I found instantly irresistible. The new recording has a tightness that only intrigues me even more. "Polarity" was off 'The Thawing', but this new recording has a resonance that I just love. It really accentuates the experimental feel of the song. The seventh track is "Unruddered", and I feel the new version really pumps up the contrast. You can hear the new "Unruddered" for yourself.



Next up, we have the title track for the 2012's 'The Thawing'. The 2014 rendition is somehow both smoother and more discordant, and I don't know if I could love it more. "Futile and Fooled", the nineth track on the 10-song collection, was an instant favorite when I first heard it, and this recording only brings it closer to my heart. There is the improvisational feel of Frank Zappa, the smoothness of Emerson, Lake and Palmer, and the psychedelia of King Crimson, all while sounding just like Brett Gleason. The album closes with "Idealize the Dead", which manages to be both dark and reverent, not an easy task. This one gives me a Moody Blues kind of feel, yet still fresh and new. Perhaps that is one of the reasons I love his music, for it allows my inner Rock geek to come out and play, and not to fear getting beat up by the straight boys. I can, and often do, crank it up on my iPod, and let Gleason transform my mindscape to places and textures I haven't imagined before. You can purchase 'Brett Gleason' from iTunes, Amazon, and BandCamp. For more about Brett, you can check out his official website. You can also 'follow' him on Twitter and Tumblr, and 'like' him on Facebook.

Saturday, March 1, 2014

Sophie Tucker Has The Blues

Sophie Tucker photo sophie-tucker_zps924aa341.jpg

I am not sure why, but I decided to go with a couple of songs recorded by Sophie Tucker in the 1920s. Big and bold is the first thing to come to my mind when thinking of Sophie Tucker. Maybe it is because I was introduced to her music by Bette Midler, who did those amazing jokes in her performances. The jokes were bawdy and smart, and I loved them.



While it might have seemed like spirited fun, it did lead me to check out who this Sophie Tucker person was. Born in Russia in 1887, her family moved to the United States when she was still a baby. Sophie grew up to a a big star, a singer, comedian, actress, and a great personality that kept the public wanting more. Like Midler some 50 years later, Tucker was know to be suggestive, and at times even bawdy. In fact, she performed much of her early career in blackface, as producers thought the audiences would not accept her humor and style from a white woman. At one point, Sophie refused to put on the makeup, and the audiences had no problem. Ultimately, Sophie was a wonderful singer. In 1929, she recorded a new song, "Moanin' Low". The song had music by Ralph Rainger and lyrics by Howard Dietz. It was published in 1929 and was featured in the musical revue 'The Little Show'. The song became a great standard, sung by many. I have to say, I do love the say Sophie delivers "Moanin' Low".



I love the emotional investment Sophie puts in her performances. You can hear it in "Blue River", the 1927 song written by Alfred Bryan and Joseph Meyer. It was recorded that same year by Tucker, who has a wonderfully strong vocal. I don't really know much about the song, but know it is part of my Sophie Tucker collection. This is Sophie with "Blue River".



The next song was so familiar to me, yet I still love the freshness Sophie brings to it. Roger Graham wrote the lyrics, and Spencer Williams wrote the music for "I Ain't Got Nobody" in 1915, but I remember Louis Prima's version from the 1950s. And there was the version by David Lee Roth from 1985, paired with "Just A Gigolo". I still think my favorite is this one, by the great Sophie Tucker. I hope you enjoy the 1927 version by Sophie with Miff Mole and the Little Molars of "I Ain't Got Nobody".



Tucker paired up with that group as well on another famous song, one closely associated with the legendary singer. Sophie recorded "After You've Gone" also in 1927, and was backed by Miff Mole and the Little Molars. The song was written in 1918 by Turner Layton, with lyrics by Henry Creamer. Sophie puts a strong Blues take on the song, and used her distinctive style to make it her own. This is the recording of "After You've Gone".



Have a great weekend!

Saturday, February 15, 2014

Ian Shaw • Lover Man (Oh, Where Can You Be?)

Ian Shaw photo Ian_Shaw_zps55c4f200.jpg

Since last night was Valentine's Day, I thought it only right to continue with the theme of love with a version of the iconic song "Lover Man (Oh Where Can You Be?)". The song was written in 1941 for Billie Holiday, who had a great hit with it. It was written by Jimmy Davis, Roger Ramirez, and James Sherman. British Jazz singer Ian Shaw first recorded the song for the 1995 album, 'Ghostsongs'. Being an out and proud gay man, Shaw left the pronouns in place, and just sang the song like he should. This live version heard here can be found on 'Live at Ronnie Scott's: The Best of Ian Shaw'. This is IAn Shaw singing "Lover Man (Oh, Where Can You Be?).



I just love it - and can't get enough of just about anything Ian sings. To learn more about Ian Shaw, visit his official website. You can also 'like' him on Facebook, and 'follow' him on Twitter. You can download a copy of 'Ghostsongs' from iTunes or Amazon, or you can download a copy of 'Live at Ronnie Scott's: The Best of Ian Shaw' from iTunes.

Saturday, June 23, 2012

Nhojj Tackles the Gershwins

Nhojj

Nhojj takes on a song composed by George Gershwin with lyrics by Ira Gershwin from the 1926 musical Oh, Kay!, "Someone To Watch Over Me", a classic in the Great American Songbook. He is performing at Joe's Pub at Rome Neal's Out - Jazz, A Tribute to LGBT Jazz Greats, a part of the Fresh Fruit Festival 2009. Along with Nhojj, we hear Yael Archer on Flute, Mara Rosenbloom on piano, Mary Rodriguez on drums and Tara Thierry on bass.



For more about Nhojj, you can visit his official website. You can also find him on Twitter and Facebook. You can also listen to and purchase his music at his online store at Bandcamp.

Saturday, March 24, 2012

Louis Sings The Blues

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While I was thinking about who I wanted to feature this Saturday night, it occurred to me that I have yet to really give Louis Armstrong the appreciation he should be due. It is hard for me to believe that the great jazz trumpeter and vocal stylist has been gone for 41 years, for I still remember his music so clearly, that unforgettable voice and his brilliant smile. Not only was Armstrong a gifted musician, he also made remarkable inroads to society for an African American man of his time. In the 1930s, he became the first African American to host a nationally broadcast radio show. He was able to play many venues and stay at many hotels that were considered white-only at the time. And while many within his own community referred to him with the pejorative "Uncle Tom," he did speak out and take stands, including speaking out in 1957 about the lack of government protection offered in the Arkansas desegregation.

Louis Armstrong Louis Armstrong Louis Armstrong

In 1968, Armstrong release a song written by Bob Thiele and George David Weiss that became an international sensation. What A Wonderful World spoke optimistically about the future, a time where people had respect and appreciation for one another, a perfect time for a period that was fraught with anger and protests.



While La Vie En Rose was a signature song of the great Edith Piaf, the song was covered by many, including Armstrong. With music by Louiguy and lyrics by Piaf, Louis gave it a very different feeling than Piaf.



In 1925, Armstrong played on a record with the great Bessie Smith. The song was St Louis Blues, written by W. C. Handy, considered the father of the blues by many, and later a key figure in Marc Cohn's iconic Walking In Memphis. The song stayed with Armstrong thoughout his career, and here is a version he did with Velma Middleton in 1959.



In 1956, Louis had a #1 hit with Mack The Knife, the song from the Three Penny Opera, written by Kurt Weill and Bertolt Brecht. His voice added depth to the song that was often covered.



Basin Street Blues was written by Spencer Williams in 1926, and recorded by Armstrong two years later. The title refers to the red-light district of New Orleans, although it could apply to any such area anywhere. The part of town were one found the jazz clubs were often those areas, and some of the few areas all races could go without too much trouble.



You can get your copy of Luis Armstrong's album What A Wonderful World on iTunes and Amazon.

Sunday, February 19, 2012

Sunday Jazz with Dave Koz

Dave Koz
Dave Koz Dave Koz

While thinking about what music to offer you to close out the weekend, I had a bit of a revelation. What about a bit of smooth jazz... Yeah, that's the ticket. So I of course thought of Dave Koz. He is a talented smooth jazz musician. After playing in some great bands, the saxophonist went out on his in in 1990. He's had several solo albums, and his own jazz show on the radio. In 2002, he started a record company, Rendezvous Entertainment. In 2004, he gave an interview to The Advocate, coming out as a proud gay man. All along, he's been a strong musician, making great music. And looked damn good doing it.

Dave Koz

So, with more than 20 years of music to call on, I thought I would just see what I could find that made me happy, and one of the first was a clip of Dave and Jake Shimabukuro doing a wonderful cover of The Beatles song Blackbird. Originally Dave performed the song with his brother Jeff for the Golden Slumbers: A Father's Lullaby album in 2002.



The first single off the Lucky Man album in 1993, You Make Me Smile featured some beautiful work by keyboardist Jeff Lorber. It was the first of Koz' songs to make it on a Billboard chart, having made it to #20 on the Adult Contemporary chart. The album was also a hit, making it on the jazz charts for a long time, and finally being certified Gold.



The song Starting Over Again features the wonderful voice of Dana Glover. The talented friend of Koz also wrote the song several years ago, and Koz always liked it. When it came time to record his latest album, Hello Tomorrow, he asked her if he could record it, with her featured on it. The friends were happy to work together. The song was released as a single in 2011 and went to #1 on the Jazz chart. They were also featured on an episode of Desperate Housewives singing the song.



Back in 1999, Dave was writing some material with his brother Jeff for a new album. One of the songs off The Dance was Together Again, song that went to #20 on the Adult Contemporary chart. It is wonderful smooth jazz, with a hint of Spanish in the spicy beat.



And the final entry for tonight goes to the song that topped the Jazz charts in 2011, Anything's Possible. The song was written by Koz and Brian Culbertson to appear on the Hello Tomorrow album. After listening to the song, it is no wonder it went #1 on the Billboard Jazz chart.



For more about Dave Koz, check out his official website here. You can purchase his music everywhere good music is sold. You can find Hello Tomorrow on iTunes and Amazon. It is a great addition to your music library, and I had a great time listening to it while I wrote this post!

Saturday, February 11, 2012

Saturday Night with Duke Ellington

Duke Ellington
Duke Ellington

Edward Kennedy Ellington was an American composer, pianist, big band leader, and Jazz artist. Edward, who some might now better as Duke Ellington, wrote over 1,000 compositions. For many, Ellington was the greatest songwriter of the twentieth century, and others believe maybe ever. His style and talent influenced the music in six or so decades he was making music, starting in the late 1920s. Much of his music, starting with his Big Band hits, went on to become Jazz standards, as well as Pop standards. His music was featured in films and on Broadway, as well as anywhere dance can be found. Ellington was born in Washington, DC, in 1899, to parents who both played the piano. His maternal grandfather was a slave in the South. His mother instilled the grace and manners of high society, and the neighborhood kids gave him the nickname "Duke". While he was most interested in baseball when he was a young man, soon it was music that took up his time. Before turning 21, Ellington was playing gigs as a pianist professionally, making a name for himself. He was playing in the DC area, as well as Maryland and Virginia. Soon, however, he moved to Harlem, and became a part of the great Harlem Renaissance of the 1920s and 1930s. His music flourished, and was hitting the charts by the late 1920s.

Duke Ellington

And while he had written and performed some of the most memorable music of the 1930s, 40s and 50s, I would have to think one of his most famous songs was the great Take The "A" Train. It was written in 1939, and in 1941, it went to #11 on the US Pop charts. This is a clip from the 1943 film Reveille With Beverly, which featured the song.



Another great song was written in 1931 and took off on the charts the following year. It Don't Mean A Thing (If It Ain't Got That Swing) went to #6 on the Billboard Pop chart. I know it is a song I sing to myself from time to time, just because it pops into my minds. The following clip was from a show in 1943.



Mood Indigo was written in 1930, with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. When the Duke Ellington Orchestra in 1931, it climbed to #3 on the Billboard Hot 100. It is most certainly a 'mood' piece, and a glorious one at that. I could listen to it for hours.



Written in 1953 by Duke Ellington and Billy Strayhorn with lyrics by Johnny Mercer, Satin Doll quickly became a standard. It was recorded by the great voices in the business, including Ella Fitzgerald, Frank Sinatra, and Nancy Wilson. In 1953, went to #27 with Duke and his Orchestra.



There are songs that are considered Jazz standards, and they are usually picked for a reason. It is not because they are easy to sing or to play, but because they are not easy, but elevates the performance of those who attempt it. Such is the case with the great song composed as an instrumental in 1932 by Duke Ellington and Irving Mills, to which words were added by Mitchell Parish. That song, Sophisticated Lady, went to #3 on the Billboard Hot 100 in 1933. The following video was taken from a performance in the late 1960s, featuring the talented Harry Carney.



The song went on to be the title song for a Broadway show featuring the music of the great Duke Ellington. Sophisticated Ladies opened on Broadway in 1981, and closed two years later. It featured the talents of Phyllis Hyman, Gregory Hines, and Hinton Battle, all who earned Tony nominations for their work, and Battle took home the statue. For his recordings, Ellington won twelve Grammy Awards. To learn more about Duke Ellington, visit his official website here. You can also find his music online. You can get a very nice collection, The Best of Duke Ellington, on iTunes or Amazon. You know, I think everyone should have some Ellington in their collection. At least if you want to listen to the best.

Tuesday, January 24, 2012

Big Mama Thornton

Big Mama Thornton
Big Mama Thornton Big Mama Thornton

It is hard to imagine anyone not knowing who Willie Mae Thornton, although some might know her by her nickname, Big Mama Thornton. She began singing in bars in the 1940s, and soon had a career of her own. She sang solo or a part of bands, and often joined in on harmonica or drums when she could. She was a large, formidable woman, earning the nickname of Big Mama. However, she was often seen wearing men's clothing on stage, and was rumored to have had many relationships with other women. It is generally accepted Big Mama was a proud member of the LGBT community. And like many artists of the time, Big Mama was chased by her demons during her life, in her case the demon was alcohol.

Big Mama recorded a little known song by now-legendary songwriters Jerry Leiber and Mike Stoller in 1952. Hound Dog was a big hit, but was moved to obscurity when it was released by Elvis Presley in 1956. But it is hard to listen to Big Mama's version and not see her influence on Presley.



Ball 'N' Chain was written and recorded by Big Mama in 1969. It was a hit for Janis Joplin in 1968, on the Cheap Thrills album. As was often the case for songwriters back then, especially if they might be a minority, Big Mama was denied any royalties from the Joplin recording of her song. It did, however, give her a new audience of blues fans looking for great music.



Big Mama recorded Summertime, the great song by George Gershwin with lyrics are by DuBose Heyward for the 1935 opera Porgy and Bess. It was also recorded by Joplin, also on the 1968 album, Cheap Thrills. Big Mama's version is quite wonderful.



For the final clip of the post, I offer up Rock Me Baby, a blues standard recorded by BB King, who had a hit with it in 1964. It was perfect for Big Mama, who could play the harmonica for it.



Big Mama's health was not good for the latter stages of her life, with her weight, diabetes, and injuries from a car accident all took a toll. And, of course, the drinking. It was said Big Mama survived the later years on a diet of gin-spiked milk, and lost a great deal of weight. She died somewhat destitute in Los Angeles in 1984, just 57 years old. You can find a great collection of her music on iTunes and Amazon.

Saturday, January 14, 2012

Chet Baker's Saturday Morning

Chet Baker
Chet Baker Chet Baker

While trying to decide what to post about this Saturday morning, I have to admit to struggling a bit, not quite sure what direction to pursue. So I slipped through some YouTube clips, and it came to me. What we could all use on this winter weekend is a little Chet Baker. I simply must do a fuller post about this talented and troubled man. For those who might not have heard his story, Chet Baker was born and raised in Oklahoma, the son of a professional guitarist. It is there he started to learn the trumpet. After leaving high school at 16, Baker joined the Army, and was stationed in Berlin. Soon he left the service, and studied music in Los Angeles. Soon he returned to the armed forces, only to be called once again to music, first in the Army band, and then obtaining a discharge. He quickly became a top session player for jazz greats like Stan Getz, Vito Musso and Charlie Parker. By the early 1950s, he joined the Gerry Mulligan Quartet, and they were an instant success.

Much later in his career, Baker recorded a popular song with music by Fred Karlin and lyrics by Dory Previn. His version of Come Saturday Morning is a delightful, dreamy recording.



Baker's chiseled features and dashing good looks made him an instant star. And his strong talent only made him shine that much brighter. It wasn't long, however, before his demons started dancing to his music. Baker has a big issue with drug addiction, and most people knew it. It would be a struggle or him to the very end of his life. But in 1954, when his career was just starting to go into overdrive, he recorded the album Chet Baker Sings, which featured the man not only playing the trumpet, but as vocalist as well. He recorded the Hoagie Carmichael hit I Get Along Without You Very Well (Except Sometimes).



You can find the music of Chet Baker almost anywhere music is sold. You can find a Greatest Hits collection of iTunes here, and on Amazon here. If you don't own some, you might want to give it a try.

Thursday, December 1, 2011

RightOut TV Awards - Best Folk/Roots/Jazz (Pro) Video

RightOut TV

RightOutTV announced their first winners in the inaugural awards to celebrate the depth and diversity of the music in the LGBT community. The results reflect an impressive array of talent in 13 different categories. Winning artists represent the United States, Israel, Australia, England and Austria, making this a truly global contest. Next I will feature the winner of the Best Folk/Roots/Jazz (Pro) Video category.



The award was given to Brett Every for his video, Prince Charming, which also features Estelle Noonan. The video was directed by Byron Quandary and starred James Carrick & Kade Greenland, and features Brett Every, Estelle Noonan, Robin Dixon, Lauren Allison and Stuart West. The video was featured on this blog in May of 2010.



Brett Every is an out and proud performer since the release of his debut album, Camping Out, in 2008. His music combines the best of Jazz and Folk, with a sheer veneer of Pop. You can find out more about the talented Australian on his official website here, and on Facebook here. You can find the album Fairy Godmother's Gone To Vegas featuring the song Prince Charming on iTunes here, and on Amazon here. His latest album, Menu, is a gorgeous collection I just love. You can find it on iTunes here and Amazon here. You can watch the music of RightOut TV online here.

RightOut TV Awards - Best Folk/Roots/Jazz (DIY) Video

RightOut TV

RightOutTV announced their first winners in the inaugural awards to celebrate the depth and diversity of the music in the LGBT community. The results reflect an impressive array of talent in 13 different categories. Winning artists represent the United States, Israel, Australia, England and Austria, making this a truly global contest. Next I will feature the winner of the Best Folk/Roots/Jazz (DIY) Video category.

Photobucket

The award was given to Julie Clark for her video, Courage Of Our Convictions. The video was directed by Peter Hackes when she performed in front of the US Capitol at the conclusion of the National Equality March. The march was held on October 11, 2009. The video is so very stirring.



Julie Clark is an out and proud performer since the release of her debut album, Feel Free, in 2003. You can find out more about the talented singer/songwriter on her official website here. You can find the album Change Your Mind featuring the song Courage Of Our Convictions at CDBaby here, on iTunes here, and on Amazon here. You can watch the music of RightOut TV online here.

Friday, September 24, 2010

Worth Another Listen - Michael Johnson

michael johnson,70s,80s
michael johnson,70s,80s

The year was 1978, the year I completed my education at Smyrna High School. One of the songs of the summer was by a folk/rock singer with a bit of a jazz twist to his music. Michael Johnson made a startling move on the charts with his first single, Bluer Than Blue, from his eponymous fourth album. Maybe it was all the teenage hormones, or just the trauma and drama of high school, but we all loved the song. Johnson's debut made it to #12 on the Billlboard Pop chart, as well as topping the Adult Contemporary chart. Here is Bluer Than Blue.



That was not the only song of Johnson's to hit the Top 20 on the Pop chart. There was one other, and it was the first single from Dialogue. This Night Won't Last Forever was released in 1979, and made it to #19 on the Pop chart, and #5 on Adult Contemporary.



The second single off the album, and perhaps my favorite song on the album, was Johnson's reworking of a classic Lerner & Loewe from the 1947 Broadway show Brigadoon. The cover of Almost Like Being In Love had a sweet yet sexy jazz flavor, propelling it to #32 on the Pop chart, and #4 on Adult Contemporary.



Johnson was never able to recapture that success on the Pop charts, but by the mid-80s, had taken to a country sound, and was rewarded with several hits on the Country chart. He had five Top Ten songs on the charts, including the lovely The Moon Is Still Over Her Shoulders,one of his two #1 songs.



To find out more about Michael Johnson, check out his official website here.

Tuesday, September 1, 2009

Great Women - Julie London

julie london julie london
julie london julie london

Honestly, I first came to know Julie London as Nurse Dixie on the TV series Emergency! in the early 70s, at least that is what I thought. Turns out, on of my Mother's favorite torch singers was Ms. London, and she had an LP I had listened to, just didn't realize they were one and the same! So in honor of my mother, the next in my series on great women singers is Julie London.



Ms. London sang the lost-a-love blues with a hint of smoke and self-amusement in her voice, a true jazz stylist. And she was quite the sexpot! She passed away after a long illness in 2000 at the age of 74.

Sunday, June 21, 2009

Great Music - Garrin Benfield

While I get my stuff together about the live Tom Goss/Jake Walden show last night, I thought I would drop another post in here. After the show, a guy walked up to me to ask me about Garrin Benfield [since I was wearing a GB shirt], and I was more than happy to tell him how much I loved his music.

Garrin Benfield

Several years ago, I read an article that spoke of a young guitarist named Garrin Benfield, so I sought out his music to see what the superlatives were all about. The San Fransisco based artist is an amazing guitarist - I could listen to him play instrumentals all day. But he can also sing, a point made clear in the first song I fell in love with, What You're Hiding, a song dedicated to the memory of Matthew Shepard



I have purchased all I could find, and think I have a complete collection of his discography. What is missing from the puzzle for me is seeing him perform live. He mostly plays in Northern California, and I haven't had the chance to catch him. Recently, I was excited to see some East Coast dates on the schedule. However, once I really looked at those, it coincided with the 10 days I was going to be watching my niece and nephew, and wouldn't be able to make the shows! Argh! Yes, I have almost gotten over it, but sure hope I get the chance again soon.

Garrin Benfield

It is tough to say which is my favorite CD, but if pressed, I will most likely say August Live '03 by The Garrin Benfield Band. His style is this interesting combination of West Coast folk and jazz, although there are times when rock and country find their way in. The CD is a great combination of original music and interesting covers. There is a smoking version of the gospel song Children Go Where I Send Thee and the 19th Century classic, Hard Times. There are also the haunting melodies of Unbound and Hungry Ghost. This is I Let You Go.



Well, my West Coast friends, I might just be showing up on your doorstep one day, asking to use your sofa for the night, because I made the cross-country trek to see Mr. Benfield live. You can find out more about Garrin at his website or on MySpace.

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