Showing posts with label rosalind russell. Show all posts
Showing posts with label rosalind russell. Show all posts

Monday, July 7, 2014

Dark Monday • Wonderful Town

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I must start by saying I love this musical, and have since I first discovered it when doing a production at Albright College in Reading, Pennsylvania. But then again, it would be tough to not love the 1953 musical, with a book written by Joseph A. Fields and Jerome Chodorov, lyrics by Betty Comden and Adolph Green and music by Leonard Bernstein. The story was based on the short stories of Ruth McKenney, originally adapted as 'My Sister Eileen', the 1940 Broadway play by Fields and Chodorov. There are some great songs, many that I still remember fondly even though I worked on it over 30 years ago.

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The original production starred the magnificent Rosalind Russell as Ruth, the older sister who moved to New York with her sister, Eileen, played by Edie Adams. Together, their adventures are brought to life in the musical. I am particularly fond of the song "Ohio", which I often sing to myself when the situation calls. On their first night in the city, Ruth and Eileen lament the decision to move, sining "why-oh-why-o-why-o, why did we ever leave Ohio". In 1958, the production was put together for a television special, with Eileen played by Jacqueline McKeever. This is Russel and McKeever sing "Ohio" from 'Wonderful Town'.



In December of 2002, the Berliner Philarmoniker produced a full concert version of 'Wonderful Town', as part of the New Years Eve celebration. In the lead roles, they cast impressive Broadway star Kim Criswell in the role of Ruth, and six-time Tony Award winner Audra McDonald in the role of Eileen. The show was sold out, and got outstanding reviews. It can be found on DVD. I just adore Audra's voice, and can't help but listen and sigh whenever I hear it. This is Audra McDonald singing "A Little Bit In Love" with the Berliner Philharmoniker.



In 2003, there was a fantastic revival of 'Wonderful Town'. It was directed by Kathleen Marshall, and starred 2-time Tony Award winner Donna Murphy as Ruth and Jennifer Westfeldt, star of the film 'Kissing Jessica Stein'. The revival ran for over a year at the Al Hirschfeld Theatre. This production started out as part of the 'City Encores!' concert series, with Murphy headlining. Later in the run, Brooke Shields replaced Murphy as the star. I loved the way Murphy brought the song "Swing" to life. There is a joy and vibrance to her voice and performance. This is "Swing", as sung by Donna Murphy in the 2003 Broadway revival.



If you are interested, you can purchase the 'Wonderful Town Original Broadway Cast Recording' from iTunes and Amazon. You can also find the 'Wonderful Town 2003 Revival' recording from iTunes and Amazon. Be careful on Amazon, for when I clicked for the Revival, it kept bringing me to a cut-rate Rosalind Russell recording. If you'd like the more classical approach, you can find the Berliner Philharmoniker with conductor Simon Rattle's concert version of 'Wonderful Town' on DVD from Amazon.

Monday, January 4, 2010

Dark Monday - Gypsy




One of the great musicals out there, Gypsy has stood the test of time. The 1959 musical with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Gypsy was based on the 1957 memoirs of Gypsy Rose Lee, the famous striptease artist. There was also the 1962 film version, starring Rosalind Russell and Natalie Wood. It became ingrained in the modern culture, with Mama Rose being the quintessential stage mother, and you'd have to search far and wide to find a gay man who has not shouted out 'Sing out, Louise' at one time or another.



The list of women to play Rose is impressive. In the original production, Ethel Merman played the role, followed by Angela Lansbury in 1974, Tyne Daley in 1989, Bernadette Peters in 2003, and Patti LuPone in 2007. And that is just the Broadway production original casting, not replacements. There was also a 1993 version for television starring Bette Midler. Interestingly enough, Merman and Peters were nominated for Tony Awards, Lansbury, Daley and LuPone won the Tony, both Russell and Midler won Golden Globes, and Midler was nominated for an Emmy.



It is a simple story of a woman who had dreams of stardom, only to be sidetracked with marriage and kids. On her own with two daughters, Louise and June, she tours the smalltime circuit to make Baby June [based on real-life actress June Havoc, sister of Gypsy Rose Lee] a star. Baby June runs off with one of the boys in the chorus, and Mam Rose decided to make Louise a star, whether she likes it or not. She ultimately pushes Louise to be a vaudeville entertainer, and her stage name becomes Gypsy Rose Lee. She is infamous for never 'taking it all off' but instead offering a seductive dance. Eventually, Louise becomes a star and she and Mama have a falling out, leading to Rose telling Louise she made her a star.



The music was magical, and the lyrics inspired. Take, for example Some People, the first time you are introduced to Mama Rose. This is not a woman who will be content being a stay-at-home mother, no sir. She has dreams, not only for herself, but for her girls, too. Here is Patti LuPone in a fan video, that might lack a little in quality, but certainly Patti's performance shines through.



Perhaps the most famous song from the show is Everything's Coming Up Roses, a song in the show used by Mama Rose to bring up the spirits of Louise and Herbie after Baby June and the boys have left the show in the lurch. Here it is sung by original star, the incomparable Ethel Merman.



As Herbie, Louise and Mama Rose set their sites on a new show, they discuss the relationship in Together (Wherever We Go). Whether or not the singers are telling the truth about their own motivations, it certainly defines a good relationship. Here are Bernadette Peters, John Dossett, and Tammy Blanchard singing it. I also remember a time when this was a total must-sing song at any amateur night or talent show.



When the show they are talking about falls through, and Mama Rose turns down Herbie offer of marriage, she takes Louise from the respectable Vaudeville circuit to the shady burlesque halls. It is here Rose and Louise get a lesson from the girls about what it takes to be a stripper in You Gotta Have A Gimmick. I took this clip from the 1962 movie.



When they were just starting out and Baby June was the star of the act, she sang the song Let Me Entertain You with the innocence of a pre-teen child. When searching for a song for Louise to do her first strip number, Mama Rose pulls out the sheet music, and Louise makes it her own. As the performance moved forward, you see more polish and less innocence from the song that is no longer sung by a kid. Soon she was a pro. This is Natalie Wood, from the movie.



The big end to the show is Mama's Turn, the song that captures the breakdown/meltdown/epiphany/anger/disappointment of Mama Rose once Louise tells her she needs to back off, and let her live her own life.



Currently, there is no production of the show on Broadway or touring.

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