Judy Collins & Leonard Cohen • Suzanne

Judy Collins is a master interpreter of modern music, there is no doubt. She has covered the work of Dylan, Sondheim, Lennon & McCartney, and, well, any writer of note. That would include Canadian Poet/Songwriter Leonard Cohen. Collins was the first to perform his song Suzanne, on her 1966 album In My Life. Here is Collins performing the song with Cohen.



In My Life is an interesting collection, to be sure. On it, Judy Collins sings the songs of Bob Dylan, Bertold Brecht & Kurt Weill, Cohen, Jacques Brel, Randy Newman, Donovan, and John Lennon and Paul McCartney. You can purchase In My Life on iTunes and Amazon.

In Memory of...

Just a few weeks ago, I was told about the imminent passing of an old client, and friend, and it had a surprising effect on me. While I hadn't seen Rick in like 6 years or so, there was a time when I did consider him a friend, and would talk from time to time, and have a laugh. God, he could laugh. But he was also smart, thoughtful, and had an amazing heart, one that went unnoticed because of a quick and sharp wit. But his was not the first loss I had heard about. There was also George, a kind and quiet man who always showed surprising strength and compassion. And there were thoughts of Jackie, my cousin's husband. They would have celebrated an anniversary recently.

So, with a nod to Rick, George and Jackie, I thought I would take a moment to them, as well as to so many others who have passed through my life, and your life. Here is the incredible kd lang giving, in my opinion, one of the definitive versions of Leonard Cohen's iconic Hallelujah.



I hope this gave you the opportunity to pause and reflect on those you have lost. But I also hope this reminds us all to reach out to those we hold close. Let them know you care, that they made an impact on your life.

Cover Boy • Jeff Buckley

Singer/songwriter Jeff Buckley is perhaps best known for his versions of two songs he did not write. In 1994, Buckley released his first full-length album, Grace. The album received outstanding reviews across the board, but the sales numbers were less than people would think. But in listening now, I am not surprised, for Buckley's music was far from what was playing on the radio at the time. The 10 song collection had 7 original songs by Buckley, and 3 covers. Stylistically, Buckley had his own sound and feel to his music. He could nimbly combine elements of folk, rock, and jazz to create a sound that seemed to not only speak to his soul, but from it as well. One of those covers was a of a little known song by Canadian singer/songwriter Leonard Cohen, which had some attention in 1991 when recorded by John Cale for a tribute album. But honestly, it was Buckley recording from 1994 that gave Hallelujah a respected place in the history of music, but at the time was not released as a single. However, after his death, the album maintained a bit of cult status, and several years later, the song grew, and was soon the biggest selling song of his short career. Here is a live version of Hallelujah.



While it was not part of Buckley's first album, the theme song to a 1987 movie was part of his live repertoire. Calling You was written by Bob Telson for Bagdad Café. It was recorded by Jevetta Steele for the soundtrack, and it was certainly a haunting song. It was released as part of the live album, Live at Sin-é, in 2003, after he had passed away. But for those who flocked to purchase the album, the familiar pure tone and tortured spirit came through perfectly. This is Calling You.



Buckley had only released one album at the time of his death in 1997, a few months shy of his 31st birthday. He had worked on a few demos for an upcoming album, but was relaxing in Memphis prior to going in to the studio for the second album when he died in an unfortunate swimming accident. Jeff's father, Tim Buckley, had also passed away at an early age. He was 28 when he died following a drug overdose. Jeff was just 8 years old, and didn't really know the man, who had divorced his mother about the time he was born. Whether or not that lead to the inherent vulnerability and pain in his vocals would certainly be open for discussion. Or was the lack of speaking/knowing his own father that gave such depth to his voice as an artist. Or was his gift just God-given, we'll never know. But we most certainly can enjoy it.